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The arts have always been tinged with an enigmatic face in their elaborate proposals and in the construction of their particular languages and their significant formulations. From this explanatory framework, starting from semiotics as a discipline aimed at explaining how and why a given phenomenon acquires, in a given society and at a given historical moment of that society, a given significance and, accordingly, how it is communicated and what are its possibilities of transformation, it is possible to trace an analysis of these three forms of artistic expression, through which it is possible to formalize a series of operations that offer explanations on the way in which they produce meanings and the implications in each singular context of each art in question.