Drawing on the black radical tradition and black feminism, J. Kameron Carter examines the philosophical, theological, and religious history that animates our times to theorize religion as a central feature of settler colonialism and racial capitalism.
Drawing on the black radical tradition and black feminism, J. Kameron Carter examines the philosophical, theological, and religious history that animates our times to theorize religion as a central feature of settler colonialism and racial capitalism.
J. Kameron Carter is Professor of Religious Studies at Indiana University Bloomington and is codirector of IU’s Center for Religion and the Human. He is the author of Race: A Theological Account.
Inhaltsangabe
Acknowledgments xi An Anarchic Introduction (Antiblackness as Religion) 1 1. Black (Feminist) Anarchy 27 2. The Matter of Anarchy 47 3. Anarchy and the Fetish 63 4. The Anarchy of Black Religion 75 5. Anarchy Is a Poem, Is a Song . . . 106 An Anarchic Coda (A Mystic Song) 132 Notes 139 Bibliography 171 Index
Acknowledgments xi An Anarchic Introduction (Antiblackness as Religion) 1 1. Black (Feminist) Anarchy 27 2. The Matter of Anarchy 47 3. Anarchy and the Fetish 63 4. The Anarchy of Black Religion 75 5. Anarchy Is a Poem, Is a Song . . . 106 An Anarchic Coda (A Mystic Song) 132 Notes 139 Bibliography 171 Index
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