Gerald C. Cupchik builds a bridge between science and the humanities, arguing that relations between mind and body are analogous to those between subject matter and style in art. His unified emotional phase theory encompasses reactions to meaningful life events and actions, enabling people to realize goals and adapt to challenges.
Gerald C. Cupchik builds a bridge between science and the humanities, arguing that relations between mind and body are analogous to those between subject matter and style in art. His unified emotional phase theory encompasses reactions to meaningful life events and actions, enabling people to realize goals and adapt to challenges.
Gerald C. Cupchik is Professor of Psychology at the University of Toronto, Scarborough. His research focuses on emotion and aesthetics using quantitative and qualitative methods in a complementary manner in order to analyze how people respond to paintings and the emotional experiences people have while reading literature or watching films. He also works closely with artists to better understand the processes underlying their creative acts.
Inhaltsangabe
Prologue 1. Experiences in life and art 2. Thinking critically about emotion theories 3. The depth of affective processing 4. Emotional experiences as reactions 5. Antecedents of the motivational action models 6. Emotional phase theory 7. Neural underpinnings of emotional experiences and feeling-based actions 8. The aesthetic imagination 9. Affective processes and aesthetic reception 10. The 'aesthetics of emotion' as analogy and metaphor 11. Creative practices of contemporary artists 12. The cave artist's share 13. Studies in aesthetic reception 14. In search of a unified emotion theory Epilogue.
Prologue 1. Experiences in life and art 2. Thinking critically about emotion theories 3. The depth of affective processing 4. Emotional experiences as reactions 5. Antecedents of the motivational action models 6. Emotional phase theory 7. Neural underpinnings of emotional experiences and feeling-based actions 8. The aesthetic imagination 9. Affective processes and aesthetic reception 10. The 'aesthetics of emotion' as analogy and metaphor 11. Creative practices of contemporary artists 12. The cave artist's share 13. Studies in aesthetic reception 14. In search of a unified emotion theory Epilogue.
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