Technologies of Sexiness provides a framework for understanding how women make sense of their sexual identities in the context of a feminization of sexual consumerism. The authors analyze material collected with two groups of women: the "pleasure pursuers" and "functioning feminists," who broadly occupy positions across the pre- and post-Thatcher eras, and the changes brought about by the feminist movement.
Technologies of Sexiness provides a framework for understanding how women make sense of their sexual identities in the context of a feminization of sexual consumerism. The authors analyze material collected with two groups of women: the "pleasure pursuers" and "functioning feminists," who broadly occupy positions across the pre- and post-Thatcher eras, and the changes brought about by the feminist movement.
Adrienne Evans is a Senior Lecturer in Media at Coventry University. Her main research interest is in exploring women's contemporary sexual identities. Her current work continues in contemporary gender relations and the use of creative methods in research and teaching. She has published this work in the European Journal of Women's Studies, Journal of Gender Studies, Men and Masculinities, Teaching in Higher Education, and Feminism and Psychology. Sarah Riley is a Senior Lecturer in the Psychology Department at University College Wales, Aberystwyth. Her research takes a social constructionist approach to explore issues of identity in relation to gender, embodiment and youth culture. She has published widely in journals including Feminism and Psychology, British Journal of Social Psychology, Sociology and Journal of Youth Studies. She co-edited Critical Bodies: Representations, Identities and Practices of Weight and Body Management (Palgrave Macmillan, 2008), and Doing a Qualitative Research Project (Sage, 2011).
Inhaltsangabe
Preface 1. Sex, Identity, and Consumer Culture 2. Doubled Stagnations: Mapping Debates 3. Technologies of Sexiness 4. Pursuing Pleasure 5. Functioning Feminists 6. Constant Regulation, Constant Repositioning, and Finding Hope in 'Othering'
