Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
Nicholas Stoia is Assistant Professor of Music at Duke University. His work has appeared in Music Theory Spectrum, Music Theory Online, Music Analysis , and Race and Justice.
Inhaltsangabe
* Acknowledgements * Introduction * Part I: Antecedents of the "Sweet Thing" Scheme in the British Isles and North America * Chapter 1: From "Captain Kidd" to Gospel Music * Chapter 2: "The Frog's Courtship" and Other Sources * Part II: The Musical Structure of the "Sweet Thing" Scheme in Early Blues, Country, and Gospel Music * Chapter 3: Poetic Forms and Rhythmic Types * Chapter 4: Harmonic Progressions * Chapter 5: Melodic Designs * Chapter 6: Other Forms * Conclusion * References * Index
* Acknowledgements * Introduction * Part I: Antecedents of the "Sweet Thing" Scheme in the British Isles and North America * Chapter 1: From "Captain Kidd" to Gospel Music * Chapter 2: "The Frog's Courtship" and Other Sources * Part II: The Musical Structure of the "Sweet Thing" Scheme in Early Blues, Country, and Gospel Music * Chapter 3: Poetic Forms and Rhythmic Types * Chapter 4: Harmonic Progressions * Chapter 5: Melodic Designs * Chapter 6: Other Forms * Conclusion * References * Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
