Wendy Sutherland

Staging Blackness and Performing Whiteness in Eighteenth-Century German Drama

• Broschiertes Buch

Produktbeschreibung

Focusing on eighteenth-century cultural production, Wendy Sutherland examines how representations of blackness in philosophy, anthropology, aesthetics, drama, and court painting influenced the construction of the white bourgeois German self. Sutherland argues that German bourgeois dramas, such as those by Friedrich Wilhelm Ziegler, Ernst Lorenz

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 280
• Erscheinungstermin: 12. Dezember 2019
• Englisch
• Abmessung: 234mm x 156mm x 15mm
• Gewicht: 395g
• ISBN-13: 9780367878986
• ISBN-10: 0367878984
• Artikelnr.: 58438201

Autorenporträt

Wendy Sutherland is Associate Professor of German at New College of Florida, USA.

Inhaltsangabe

Contents: Prologue
Introduction
Race in 18th-century Germany
Slavery, colonialism, and the 18th-century global stage
'Looking at the overlooked': stage properties and the table in Karl Lessing's Die Mÿtresse (1780) excursus: the Court Moor and 18th-century court painting
The construction of whiteness in 18th-century bourgeois drama
Race, doubles, and foils: staging blackness in Friedrich Wilhelm Ziegler's Die Mohrinn (1801)
Race, homosocial desire, and the black in Ernst Lorenz Rathlef's Die Mohrinn zu Hamburg (1775)
Reading in the dark? Racial hierarchy and miscegenation in Heinrich von Kleist's 'Die Verlobung in St. Domingo' (1811) and Theodor Körner's Toni (1812)
Epilogue
Bibliography
Index.