This volume examines early modern representations of women's reproductive knowledge through new readings of plays, monstrous birth pamphlets, medical treatises, court records, histories, and more, which are often interpreted as depicting female reproductive bodies as passive, silenced objects of male control and critique. Luttfring argues instea
This volume examines early modern representations of women's reproductive knowledge through new readings of plays, monstrous birth pamphlets, medical treatises, court records, histories, and more, which are often interpreted as depicting female reproductive bodies as passive, silenced objects of male control and critique. Luttfring argues instea
Sara D. Luttfring is Assistant Professor of English at Penn State Erie, The Behrend College. Her work has appeared in the journals Renaissance Drama and Huntington Library Quarterly, as well as in the edited collection Staging the Blazon in Early Modern English Theater (2013).
Inhaltsangabe
1. Representing Female Reproductive Bodies and Women's Speech in Early Modern England 2. The Politics of Virginity in The Changeling and the Essex Divorce 3. Pregnancy, Interiority, and the Circulation of Knowledge in Early Modern Medical Treatises and 'Tis Pity She's a Whore 4. Birthing Room Speech and the Construction of Patriarchal Authority in A Chaste Maid in Cheapside and Early Modern Gossip Satire 5. Parental Influence and (De)Formative Speech in Early Modern Monstrous Birth Pamphlets and The Winter's Tale
1. Representing Female Reproductive Bodies and Women's Speech in Early Modern England 2. The Politics of Virginity in The Changeling and the Essex Divorce 3. Pregnancy, Interiority, and the Circulation of Knowledge in Early Modern Medical Treatises and 'Tis Pity She's a Whore 4. Birthing Room Speech and the Construction of Patriarchal Authority in A Chaste Maid in Cheapside and Early Modern Gossip Satire 5. Parental Influence and (De)Formative Speech in Early Modern Monstrous Birth Pamphlets and The Winter's Tale
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