Exploring the folk music and dance revival movements in Russia, this book shows how folk 'tradition' in Russia is an artificial cultural construct, which is periodically reinvented.
Exploring the folk music and dance revival movements in Russia, this book shows how folk 'tradition' in Russia is an artificial cultural construct, which is periodically reinvented.
Laura J. Olson is Assistant Professor of Russian at the University of Colarado, Boulder. She has been researching and performing Slavic folk music since 1987.
Inhaltsangabe
Introduction 1. The Invention and Re-invention of Folk Music in Pre-Revolutionary Russia 2. A Unified National Style: Folklore Performance in the Soviet Context 3. The Origins of the Russian Folk Revival Movement 4. Revival and Identity after Socialism 5. Power and Ritual: Russian Nationalism and Representations of the Folk, Orthodoxy, Imperial Russia and the Cossackry 6. Performing Masculinity: Cossack Myth and Reality in Post-Soviet Revival Movements 7. The Village Revives 8. Making Memory: How Urban Intellectuals Re-invent Russian Village Traditions
Introduction 1. The Invention and Re-invention of Folk Music in Pre-Revolutionary Russia 2. A Unified National Style: Folklore Performance in the Soviet Context 3. The Origins of the Russian Folk Revival Movement 4. Revival and Identity after Socialism 5. Power and Ritual: Russian Nationalism and Representations of the Folk, Orthodoxy, Imperial Russia and the Cossackry 6. Performing Masculinity: Cossack Myth and Reality in Post-Soviet Revival Movements 7. The Village Revives 8. Making Memory: How Urban Intellectuals Re-invent Russian Village Traditions
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