Andere Kunden interessierten sich auch für
![Shelley and the Musico-Poetics of Romanticism. Jessica K. Quillin]( "Shelley and the Musico-Poetics of Romanticism. Jessica K. Quillin")
Shelley and the Musico-Poetics of Romanticism. Jessica K. Quillin179,99 €![Street Ballads in Nineteenth-Century Britain, Ireland, and North America]( "Street Ballads in Nineteenth-Century Britain, Ireland, and North America")
Street Ballads in Nineteenth-Century Britain, Ireland, and North America179,99 €![The Figure of Music in Nineteenth-Century British Poetry]( "The Figure of Music in Nineteenth-Century British Poetry")
The Figure of Music in Nineteenth-Century British Poetry50,99 €![French Symbolist Poetry and the Idea of Music]( "French Symbolist Poetry and the Idea of Music")
French Symbolist Poetry and the Idea of Music179,99 €![Emily Dickinson and Hymn Culture]( "Emily Dickinson and Hymn Culture")
Emily Dickinson and Hymn Culture211,99 €![Music and Theology in Nineteenth-Century Britain]( "Music and Theology in Nineteenth-Century Britain")
Music and Theology in Nineteenth-Century Britain179,99 €![Music and Sentimentalism in the Nineteenth and Twentieth Centuries]( "Music and Sentimentalism in the Nineteenth and Twentieth Centuries")
Music and Sentimentalism in the Nineteenth and Twentieth Centuries190,99 €
Shelley's Music demonstrates that Shelley's desire to merge word, conventionally identified as masculine, with music and voice, conventionally identified as feminine, represents a fantasy designed to ensure the preservation of his authority by making his voice eternally present in his poetry. Recycling throughout his writing and characterized by deadlock and instability, Shelley's fantasy paradoxically supports an even more compelling desire to preserve his subjectivity and maintain his authority as poet.