Addressing a gap in Shelley studies, Quillin explores the poet's lifelong interest in music. Quillin connects the trope of music with Shelley's larger formal aesthetic, political and philosophical concerns, showing that music offers a new critical lens through which to view such familiar Shelleyan concerns as the status of the poetic, figural language and the philosophical problem posed by idealism versus skepticism.
Addressing a gap in Shelley studies, Quillin explores the poet's lifelong interest in music. Quillin connects the trope of music with Shelley's larger formal aesthetic, political and philosophical concerns, showing that music offers a new critical lens through which to view such familiar Shelleyan concerns as the status of the poetic, figural language and the philosophical problem posed by idealism versus skepticism.
Jessica K. Quillin is a researcher, writer, and entrepreneur. She received her PhD in English from the University of Cambridge and has published widely, including in The Oxford Companion to Shelley and in the Keats-Shelley Journal.
Inhaltsangabe
Abbreviations of Works Cited Jessica K. Quillin; Introduction Jessica K. Quillin; Part 1 Overture: Setting the Context for Shelley's Ideas on Music; Chapter 1 Shelley's Musical Background Jessica K. Quillin; Chapter 2 The Role of Musical Aesthetics in Shelley's A Defence of Poetry Jessica K. Quillin; Part 2 "When music and moonlight and feeling / Are one": Musical Metaphors and the Kinetics of Language in Shelley's Poetry; Chapter 102 Prologue Jessica K. Quillin; Chapter 3 "Her voice was like the voice of his own soul": Music and Silence in Alastor; or The Spirit of Solitude Jessica K. Quillin; Chapter 4 Prometheus Unbound Part I: Language Music and the Visionary Imagination Jessica K. Quillin; Part 3 Lyrical Harmony: Shelleyan Poetic Form and the Sister Arts; Chapter 103 Prologue Jessica K. Quillin; Chapter 5 Prometheus Unbound Part II: Correspondences Between Music Drama and Poetic Form in Shelley's Lyrical Drama Jessica K. Quillin; Chapter 6 "[Are we not formed as notes of music are": Musical Aesthetics Love and Politics in Shelley's Lyrics Jessica K. Quillin Appendix Jessica K. Quillin;
Abbreviations of Works Cited Jessica K. Quillin; Introduction Jessica K. Quillin; Part 1 Overture: Setting the Context for Shelley's Ideas on Music; Chapter 1 Shelley's Musical Background Jessica K. Quillin; Chapter 2 The Role of Musical Aesthetics in Shelley's A Defence of Poetry Jessica K. Quillin; Part 2 "When music and moonlight and feeling / Are one": Musical Metaphors and the Kinetics of Language in Shelley's Poetry; Chapter 102 Prologue Jessica K. Quillin; Chapter 3 "Her voice was like the voice of his own soul": Music and Silence in Alastor; or The Spirit of Solitude Jessica K. Quillin; Chapter 4 Prometheus Unbound Part I: Language Music and the Visionary Imagination Jessica K. Quillin; Part 3 Lyrical Harmony: Shelleyan Poetic Form and the Sister Arts; Chapter 103 Prologue Jessica K. Quillin; Chapter 5 Prometheus Unbound Part II: Correspondences Between Music Drama and Poetic Form in Shelley's Lyrical Drama Jessica K. Quillin; Chapter 6 "[Are we not formed as notes of music are": Musical Aesthetics Love and Politics in Shelley's Lyrics Jessica K. Quillin Appendix Jessica K. Quillin;
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