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"A tour-de-force analysis of the role of sound in contemporary biopolitics and a landmark volume within and beyond music studies."-Michael Gallope, University of Minnesota "Shattering Biopolitics brilliantly weaves together two threads: it carefully auscultates the philosophical discourses of deconstruction and biopolitics in order to sound them out on their aural imagination; and it pursues a true 'politics of listening,' a performative intervention that seeks to reconfigure the way we lend our ears."-Peter Szendy, Brown University A missed phone call. A misheard word. An inaudible noise. All these can make the difference between life and death. Failures to listen are frequently at the root of the marginalization and exclusion of certain forms of life. Audibility decides livability. Shattering Biopolitics elaborates for the first time the intimate and complex relation between life and sound in recent European philosophy, together with the political stakes of this entanglement. Nowhere is aurality more pivotal than in the dialogue between biopolitical theory and deconstruction about the power over and of life. Closer inspection of these debates reveals that the main points of contention coalesce around figures of sound and listening: inarticulate voices, meaningless sounds, resonant echoes, syncopated rhythms, animal cries, bells, and telephone rings. Recent sound-art projects take up similar concerns from racialized chokeholds and anti-migrant forensic voice analysis to politicized speech acts and activist practices of listening. Building on such thinkers as Derrida, Agamben, Cixous, Nancy, and Malabou, Shattering Biopolitics elaborates sound's capacity to shatter sovereignty, as if it were a glass made to vibrate at its natural frequency, that allows it to amplify and disseminate a power of life that refuses to be mastered. In doing so, the book advances the burgeoning field of sound studies with a new, theoretically sophisticated analysis of the political imbrications of its object of inquiry. Naomi Waltham-Smith is Associate Professor in the Centre for Interdisciplinary Methodologies at the University of Warwick. She is the author of Music and Belonging Between Revolution and Restoration.