Moving Otherwise offers a fascinating look at how contemporary dance practices in Buenos Aires enacted politics within political and economic violence from the mid-1960s to the mid-2010s. It is the first book on Argentine contemporary dance and it introduces a breadth of choreographers and practices to an English speaking audience.
Moving Otherwise offers a fascinating look at how contemporary dance practices in Buenos Aires enacted politics within political and economic violence from the mid-1960s to the mid-2010s. It is the first book on Argentine contemporary dance and it introduces a breadth of choreographers and practices to an English speaking audience.
Victoria Fortuna is an Assistant Professor in the Dance Department at Reed College in Portland, OR. Her research interests include Latin/x American concert and social dance, dance as a mode of political and community organization, and cultural histories of dance in transnational perspective.
Inhaltsangabe
Acknowledgements Preface The Dancing Body on the Line: An Introduction 1. Mobile Bodies 2. The Revolution Was Danced 3. Dance as the Art of Survival 4. Moving Trauma 5. Common Goods Epilogue: The History of Memory Notes Bibliography Index
Acknowledgements Preface The Dancing Body on the Line: An Introduction 1. Mobile Bodies 2. The Revolution Was Danced 3. Dance as the Art of Survival 4. Moving Trauma 5. Common Goods Epilogue: The History of Memory Notes Bibliography Index
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