Shakespeare Left and Right brings together critics, strikingly different in their politics and methodologies, who are acutely aware of the importance of politics on literary practice and theory. The essays in Shakespeare Left and Right, first published in 1991, present a tug of war about ideology, acted out over the body of Shakespeare. This book should be of interest to undergraduates and academics interested in Shakespeare studies.
Shakespeare Left and Right brings together critics, strikingly different in their politics and methodologies, who are acutely aware of the importance of politics on literary practice and theory. The essays in Shakespeare Left and Right, first published in 1991, present a tug of war about ideology, acted out over the body of Shakespeare. This book should be of interest to undergraduates and academics interested in Shakespeare studies.
Acknowledgements; 1. Introduction: Ideology and Its Discontents; Part 1: Critique and/or Ideology; 2. Ideological Criticism and Pluralism 3. The Myth of Neutrality, Again? 4. Where Does Ideology Hang Out? 5. MLA Response to Levin, Greene, and Bristol 6. Reply to Michael Bristol and Gayle Greene 7. Straw Women and Whipping Girls: The (Sexual) Politics of Critical Self-Fashioning 8. Against "Ideology" 9. Ordinary People and Academic Critics: A Response to Richard Levin 10. Commentary: "You've Got a Lot of Nerve"; Part 2: Ideology and Critical Practice; 11. Character and Ideology in Shakespeare 12. Violence and Gender Ideology in Coriolanus and Macbeth 13: "A Woman's War": A Feminist Reading of Richard II 14. Julius Caesar, Allan Bloom, and the Value of Pedagogical Pluralism 15. Transfer of Title in Love's Labor's Lost: Language, Individualism, Gender 16. On the Continuity of the Henriad: A Critique of Some Literary and Theatrical Approaches; 17. "The King Hath Many Marching in His Coats" or, What Did You Do During the War, Daddy? 18. A Tale of Two Branaghs: Henry V, Ideology, and the Mekong Agincourt 19. Commentary: "In the Destructive Element Immersed" 20. Afterword: Poetics from the Barrel of a Gun?; Bibliography; Index; Contributors
Acknowledgements; 1. Introduction: Ideology and Its Discontents; Part 1: Critique and/or Ideology; 2. Ideological Criticism and Pluralism 3. The Myth of Neutrality, Again? 4. Where Does Ideology Hang Out? 5. MLA Response to Levin, Greene, and Bristol 6. Reply to Michael Bristol and Gayle Greene 7. Straw Women and Whipping Girls: The (Sexual) Politics of Critical Self-Fashioning 8. Against "Ideology" 9. Ordinary People and Academic Critics: A Response to Richard Levin 10. Commentary: "You've Got a Lot of Nerve"; Part 2: Ideology and Critical Practice; 11. Character and Ideology in Shakespeare 12. Violence and Gender Ideology in Coriolanus and Macbeth 13: "A Woman's War": A Feminist Reading of Richard II 14. Julius Caesar, Allan Bloom, and the Value of Pedagogical Pluralism 15. Transfer of Title in Love's Labor's Lost: Language, Individualism, Gender 16. On the Continuity of the Henriad: A Critique of Some Literary and Theatrical Approaches; 17. "The King Hath Many Marching in His Coats" or, What Did You Do During the War, Daddy? 18. A Tale of Two Branaghs: Henry V, Ideology, and the Mekong Agincourt 19. Commentary: "In the Destructive Element Immersed" 20. Afterword: Poetics from the Barrel of a Gun?; Bibliography; Index; Contributors
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