Sculpture and Film

Herausgeber: Christie, Ian; Wood, Jon

• Broschiertes Buch

Produktbeschreibung

This collection thus comprises the first rigorous exploration of the relationship between sculpture and film, charted over fourteen essays. The contributors explore some of the ways in which cinema reshaped the landscape of art and specifically sculpture and sculptural practice during the twentieth century. They also examine how film has functioned

Produktdetails

• Subject/Object: New Studies in Sculpture
• Verlag: Taylor & Francis Ltd
• Seitenzahl: 176
• Erscheinungstermin: 21. Januar 2023
• Englisch
• Abmessung: 173mm x 245mm x 13mm
• Gewicht: 338g
• ISBN-13: 9781032476087
• ISBN-10: 1032476087
• Artikelnr.: 69187528

Autorenporträt

Jon Wood is Head of Research at the Henry Moore Institute in Leeds. Ian Christie is Professor of Film and Media History at Birkbeck, University of London.

Inhaltsangabe

List of illustrations Notes on contributors Foreword 1 Filling the frame:
Brancusi's film stills of Leda and the manifestation of attention
(Alexandra Parigoris) 2 'Deaf, dumb and blind cinema': re-evaluating the
surrealist object through film (Samantha Lackey) 3 Stop and go: sculpture
in experimental film (Cornelia Lund) 4 Acoustic shaping: sound, film and
sculpture (Nora M. Alter) 5 'The art that moves': Len Lye, film and
sculpture (David Curtis) 6 Moving in the image: Judd's crystals (Kirstie
Skinner) 7 The cut: Hollis Frampton and Carl Andre in dialogue (Melissa
Ragona) 8 'The very statues breathe': Greenaway, Shakespeare and the
performance of sculpture (David Pascoe) 9 Prop, studio, action: Paul
McCarthy's cuts (John C. Welchman) 10 Staging/object/film: considering
Robert Morris at Tate Gallery in 1971 (Lisa Le Feuvre) Index