Andere Kunden interessierten sich auch für
![The Materiality of Terracotta Sculpture in Early Modern Europe]( "The Materiality of Terracotta Sculpture in Early Modern Europe")
The Materiality of Terracotta Sculpture in Early Modern Europe157,99 €![Contemporary British Ceramics and the Influence of Sculpture]( "Contemporary British Ceramics and the Influence of Sculpture")
Contemporary British Ceramics and the Influence of Sculpture47,99 €![The Blind Spot - An Essay on the Relations Between Painting and Sculpture in the Modern Age]( "The Blind Spot - An Essay on the Relations Between Painting and Sculpture in the Modern Age")
The Blind Spot - An Essay on the Relations Between Painting and Sculpture in the Modern Age37,99 €![How to Read Greek Sculpture]( "How to Read Greek Sculpture")
How to Read Greek Sculpture25,99 €![Roman Sculpture in Context]( "Roman Sculpture in Context")
Roman Sculpture in Context27,99 €![The Sculpture of Ruth Asawa, Second Edition]( "The Sculpture of Ruth Asawa, Second Edition")
The Sculpture of Ruth Asawa, Second Edition42,99 €![Sculpture Vertical, Horizontal, Closed, Open]( "Sculpture Vertical, Horizontal, Closed, Open")
Sculpture Vertical, Horizontal, Closed, Open43,99 €
What can modern art have to do with ancient sculpture? Surely the excitement of modern art lies in its repudiation of classical example? Elizabeth Prettejohn's important and revisionist new book argues otherwise: that ancient sculpture and modern art have been in constant dialogue since Johann Joachim Winckelmann invented art history.