In the first book-length study explicitly to connect the postcolonial trope of hybridity to Renaissance literature, Schmidt explores how early modern English authors, artists, explorers and statesmen framed questions of cultural and artistic heterogeneity. He demonstrates how 'postmodern' considerations can be used to elucidate cultural and literary developments in the English Renaissance, revealing a new dimension in the relation of early modern studies to the concerns of the present.
In the first book-length study explicitly to connect the postcolonial trope of hybridity to Renaissance literature, Schmidt explores how early modern English authors, artists, explorers and statesmen framed questions of cultural and artistic heterogeneity. He demonstrates how 'postmodern' considerations can be used to elucidate cultural and literary developments in the English Renaissance, revealing a new dimension in the relation of early modern studies to the concerns of the present.
Introduction Renaissance Hybrids: Culture and Genre in Early Modern England Chapter 1 Towards a Renaissance Theory of Hybridity Chapter 2 Giant Aspirations: Cultural Archaeology in Spenser's 1590, Faerie Queene Chapter 3 The View from Ireland: Spenser in 1596 Chapter 4 Satire and Politics in the English Renaissance Chapter 5 Jacobean Absolutism and the Rise of Tragicomedy Chapter 6 Afterword Hybrids Past and Present: The Final Boundary
Introduction Renaissance Hybrids: Culture and Genre in Early Modern England Chapter 1 Towards a Renaissance Theory of Hybridity Chapter 2 Giant Aspirations: Cultural Archaeology in Spenser's 1590, Faerie Queene Chapter 3 The View from Ireland: Spenser in 1596 Chapter 4 Satire and Politics in the English Renaissance Chapter 5 Jacobean Absolutism and the Rise of Tragicomedy Chapter 6 Afterword Hybrids Past and Present: The Final Boundary
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