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The eight essays within this volume offer the first sustained analysis of the ways that consumers read and understood Songes and Sonettes (1557), a radically new and highly influential form of poetic collection compiled by printer Richard Tottel. Embracing a broad range of critical and historical perspectives, contributors explore how 'Tottel's Miscellany' engaged politics, friendship, religion, sexuality, gender, morality and commerce in complex - and at times, contradictory - ways.