Reframing Drag provides a critical survey of French and Anglo-American, queer and feminist theorizations of drag performance, placing these approaches in a dialogue with contemporary drag practice and the representation of drag in three literary texts.
Reframing Drag provides a critical survey of French and Anglo-American, queer and feminist theorizations of drag performance, placing these approaches in a dialogue with contemporary drag practice and the representation of drag in three literary texts.
Kayte Stokoe is Teaching Assistant in French Studies at the University of Warwick, UK.
Inhaltsangabe
Introduction 1. Drag: How Queer? 2. Performing Femininity, Performing Feminism: Anglo-American Feminist Responses to Drag Performance 3. French Feminism and the Beauvoirian Concept of 'Masculine Protest' 4. Exploring Gender Non-Conformity and Proto-Queer Parodic Strategies in the Work of Rachilde, Virginia Woolf, and Monique Wittig Conclusion: Reframing Drag - Beyond Binaries
Introduction 1. Drag: How Queer? 2. Performing Femininity, Performing Feminism: Anglo-American Feminist Responses to Drag Performance 3. French Feminism and the Beauvoirian Concept of 'Masculine Protest' 4. Exploring Gender Non-Conformity and Proto-Queer Parodic Strategies in the Work of Rachilde, Virginia Woolf, and Monique Wittig Conclusion: Reframing Drag - Beyond Binaries
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