John Tulloch, Belinda Middleweek

Real Sex Films

The New Intimacy and Risk in Cinema

• Broschiertes Buch

Produktbeschreibung

Real Sex Films explores one of the most controversial movements in international cinema through theories of globalization and embodiment.

Produktdetails

• Verlag: Oxford University Press, USA
• Seitenzahl: 376
• Erscheinungstermin: 2. November 2017
• Englisch
• Abmessung: 233mm x 156mm x 30mm
• Gewicht: 630g
• ISBN-13: 9780190244613
• ISBN-10: 0190244615
• Artikelnr.: 47864434

Autorenporträt

John Tulloch is Professor Emeritus in Communication at Charles Sturt University and Adjunct Professor in Communication, University of Newcastle, New South Wales, Australia. Belinda Middleweek is Senior Lecturer in Journalism at the University of Technology, Sydney.

Inhaltsangabe

* List of Illustrations
* Introduction
* 1. Intimacy: the Film
* 2. The Transformation of Intimacy: Sexuality and Risk in Modernity
* 3. Intimacy and Romance in Film Theory
* 4a. 'Intimacy is what hurts when it's gone': approaching social
audience analysis (Part 1)
* 4b. 'A man didn't make this film alone': Intertextual dialogue (Part
2
* 5. Brutal Intimacy: French Corporeal Cinema
* 6. 'Desperate for Intimacy': Loneliness and Fun in 9 Songs and
Shortbus
* 7. Intimate Pleasures and the Madness of Love: Narrative in Ken Park
and Irréversible
* 8. Actors and Sexual Intimacies: Trust, Mistrust and the Double
Standards of Love
* 9. Secret Intimacies and Addictions in Le Secret
* 10. Beyond High Theories of Intimacy: authorship, performance and
'obscenity' in The Piano Teacher
* 11. Desire, Intimacy and the Gaze in the work of Andrea Arnold and
Lynne Ramsay
* Conclusion
* Bibliography
* Filmography
* Index