A diverse range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animator Lotte Reiniger, to the influential African American filmmaker Julie Dash and the provocative Scottish contemporary artist Rachel Maclean. Opening with a foreword from the film theorist Laura Mulvey and a poem by the artist filmmaker Lis Rhodes, the book traces the legacies of early feminist interventions into the moving image and the ways in which these have been re-configured in the very…mehr
A diverse range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animator Lotte Reiniger, to the influential African American filmmaker Julie Dash and the provocative Scottish contemporary artist Rachel Maclean. Opening with a foreword from the film theorist Laura Mulvey and a poem by the artist filmmaker Lis Rhodes, the book traces the legacies of early feminist interventions into the moving image and the ways in which these have been re-configured in the very different context of today. Reflecting and building upon the practices of recuperation that continue to play a vital role in feminist art practice and scholarship, contributors discuss topics such as how multiculturalism is linked to experimental and activist film history, the function and nature of the essay film, feminist curatorial practices and much more. This book transports readers across diverse cultural contexts and geographical contours, addressing complex narratives of subjectivity, representation and labour, while juxtaposing cultures of film, video and visual arts practice often held apart.
Lucy Reynolds is Senior Lecturer at the Centre for Research and Education in Arts and Media, University of Westminster, UK. She is the Editor of the Moving Image Review & Art Journal (MIRAJ), and a curator and artist. Her work has been published in Afterall, MIRAJ, Screen and Screendance. Her particular interests are questions of the moving image, feminism, political space and collective practice.
Inhaltsangabe
Foreword Laura Mulvey (Birbeck University of London UK) Introduction: Raising Voices Lucy Reynolds (University of Westminster UK) Introduction: Certain Measures Lis Rhodes (Artist and filmmaker UK) Part One: Acknowledgements In Conversation: MORE: Pauline Boudry/Renate Lorenz with Irene Revell 1. In a tiny realm of her own: Lotte Reiniger's light work Elinor Cleghorn (Independent scholar UK) 2. Returning to Riddles Catherine Grant (Goldsmiths University of London UK) 3. 'Being a together woman is a bitch': 'An African American woman's film' genealogy of Julie Dash's Four Women (1975) So Mayer (Freelance writer UK) 4. Film Esperienza. The work of Marinella Pirelli Lucia Aspesi (Pirelli HangarBicocca Italy) 5. Prescient intersectionality: Women moving image and identity politics in 1980s Britain Rachel Garfield (University of Reading UK) Part Two: Engagements and Negotiations In Conversation: Maria Palacios Cruz interviews Basma Alsharif 6. 'Overexposed like an X-ray': The politics of corporeal vulnerability in Sandra Lahire's experimental cinema Maud Jacquin (Art historian and curator France & USA) 7. 'Look at Mother Nature on the run in the 1970s': Penelope Spheeris's I Don't Know Erika Balsom (King's College London UK) 8. Aesthetics of potentiality: Nguyen Trinh Thi's Essay films May Adadol Ingawanji (University of Westminster UK) 9. The art of maximal ventriloquy: Femininity as labour in the films of Rachel MacLean Sarah Neely (University of Stirling UK) & Sarah Smith (Glasgow School of Art UK) Part Three: Situations and Receptions In Conversation: Club des Femmes Helena Reckitt: An Interview on International Women's Day 2017 10. Strategies of exposure and concealment in moving image art by women; a cross-generational account Cate Elwes (Video artist and curator UK) 11. Choreographing women's work: Multitaskers smartphone users and virtuoso performers Maeve Connolly (Dun Laoghaire Institute of Art Design and Technology Ireland) 12. Female solidarity as uncommodified value: Lucy Beech's Cannibals and Rehana Zaman's Some Women Other Women and all the Bittermen Maria Walsh (Chelsea College of the Arts University Arts London UK) 13. Can we still talk about women artists? Melissa Gronlund (The National USA) Bibliography Index
Foreword Laura Mulvey (Birbeck University of London UK) Introduction: Raising Voices Lucy Reynolds (University of Westminster UK) Introduction: Certain Measures Lis Rhodes (Artist and filmmaker UK) Part One: Acknowledgements In Conversation: MORE: Pauline Boudry/Renate Lorenz with Irene Revell 1. In a tiny realm of her own: Lotte Reiniger's light work Elinor Cleghorn (Independent scholar UK) 2. Returning to Riddles Catherine Grant (Goldsmiths University of London UK) 3. 'Being a together woman is a bitch': 'An African American woman's film' genealogy of Julie Dash's Four Women (1975) So Mayer (Freelance writer UK) 4. Film Esperienza. The work of Marinella Pirelli Lucia Aspesi (Pirelli HangarBicocca Italy) 5. Prescient intersectionality: Women moving image and identity politics in 1980s Britain Rachel Garfield (University of Reading UK) Part Two: Engagements and Negotiations In Conversation: Maria Palacios Cruz interviews Basma Alsharif 6. 'Overexposed like an X-ray': The politics of corporeal vulnerability in Sandra Lahire's experimental cinema Maud Jacquin (Art historian and curator France & USA) 7. 'Look at Mother Nature on the run in the 1970s': Penelope Spheeris's I Don't Know Erika Balsom (King's College London UK) 8. Aesthetics of potentiality: Nguyen Trinh Thi's Essay films May Adadol Ingawanji (University of Westminster UK) 9. The art of maximal ventriloquy: Femininity as labour in the films of Rachel MacLean Sarah Neely (University of Stirling UK) & Sarah Smith (Glasgow School of Art UK) Part Three: Situations and Receptions In Conversation: Club des Femmes Helena Reckitt: An Interview on International Women's Day 2017 10. Strategies of exposure and concealment in moving image art by women; a cross-generational account Cate Elwes (Video artist and curator UK) 11. Choreographing women's work: Multitaskers smartphone users and virtuoso performers Maeve Connolly (Dun Laoghaire Institute of Art Design and Technology Ireland) 12. Female solidarity as uncommodified value: Lucy Beech's Cannibals and Rehana Zaman's Some Women Other Women and all the Bittermen Maria Walsh (Chelsea College of the Arts University Arts London UK) 13. Can we still talk about women artists? Melissa Gronlund (The National USA) Bibliography Index
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