This book brings together a diverse group of music theorists who issue queer challenges to both music theory and musicology and show that queerness is integral to music-theoretical practice. Through the lenses of queer temporality, queer narratology, and queer music analysis, chapters examine a wide variety of artists and composers, including Sun Ra, Cowell, Czernowin, Henze, Schubert, and Schumann; theories ranging from Schenker to queer shame, disability studies, and posthumanism; and authors such as Edward Cone and Edward Prime-Stevenson.
This book brings together a diverse group of music theorists who issue queer challenges to both music theory and musicology and show that queerness is integral to music-theoretical practice. Through the lenses of queer temporality, queer narratology, and queer music analysis, chapters examine a wide variety of artists and composers, including Sun Ra, Cowell, Czernowin, Henze, Schubert, and Schumann; theories ranging from Schenker to queer shame, disability studies, and posthumanism; and authors such as Edward Cone and Edward Prime-Stevenson.
Gavin S.K. Lee is Assistant Professor of Music at Soochow University. His research on queer music studies and global musical modernisms, particularly in Asian geographies, has appeared in Music Theory Spectrum, Music Analysis, Journal of the Royal Musical Association, and Current Musicology . He is the author of the forthcoming Estrangement from Ethnicity: Music and Sinophone Alienation and editor of Rethinking Difference in Gender, Sexuality, and Popular Music. In recent years, Lee has presented guest lectures on three continents at universities in the US, Australia, and Taiwan.
Inhaltsangabe
* Introduction: Queer Ear * Gavin S.k. Lee * 1 Queer and Critical Race Theory, Figuring Out Music Theory * Gavin S.K. Lee, Philip Ewell, and Robert Hatten * Queer Music Analysis * 2 Music Analysis; Queer Academy * James Currie * 3 Queering Schubert's "Der Atlas": Reflections on Positionality and Close Reading * David Bretherton * 4 The Expression of Queerness in Hans Werner Henze's Music * Federica Marsico * 5 Multiplicities, Truth, Ethics: a queering analysis of Chaya Czernowin's Anea Crystal * Judith Lochhead * Queer Temporality * 6 Sun Ra's Fletcher Henderson * Chris Stover * 7 The Chronographic Fallacy of Unilinear Music Theory, Or, Un(Re)productive Temporality in Dichterliebe * Gavin S.K. Lee * 8 Queering Musical Chrononormativity: Percussion Works of the West Coast Group * Bill Solomon * Queer Narratology * 9 Queer Sexuality and Musical Narrative * Fred Everett Maus * 10 "Legendary In-Reading": Musical Meaning, Analysis, and Biography in Edward Prime-Stevenson's Music Criticism and Sexology * Kristin Franseen * 11 Animating Musical Agency * Vivian Luong * Index
* Introduction: Queer Ear * Gavin S.k. Lee * 1 Queer and Critical Race Theory, Figuring Out Music Theory * Gavin S.K. Lee, Philip Ewell, and Robert Hatten * Queer Music Analysis * 2 Music Analysis; Queer Academy * James Currie * 3 Queering Schubert's "Der Atlas": Reflections on Positionality and Close Reading * David Bretherton * 4 The Expression of Queerness in Hans Werner Henze's Music * Federica Marsico * 5 Multiplicities, Truth, Ethics: a queering analysis of Chaya Czernowin's Anea Crystal * Judith Lochhead * Queer Temporality * 6 Sun Ra's Fletcher Henderson * Chris Stover * 7 The Chronographic Fallacy of Unilinear Music Theory, Or, Un(Re)productive Temporality in Dichterliebe * Gavin S.K. Lee * 8 Queering Musical Chrononormativity: Percussion Works of the West Coast Group * Bill Solomon * Queer Narratology * 9 Queer Sexuality and Musical Narrative * Fred Everett Maus * 10 "Legendary In-Reading": Musical Meaning, Analysis, and Biography in Edward Prime-Stevenson's Music Criticism and Sexology * Kristin Franseen * 11 Animating Musical Agency * Vivian Luong * Index
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