Practicing Art/Science contrasts topical positions and insightful case studies, ranging from the detailed investigation of "art at the nanoscale" to the material analysis of Leonardo's Mona Lisa and its cracked smile.
Practicing Art/Science contrasts topical positions and insightful case studies, ranging from the detailed investigation of "art at the nanoscale" to the material analysis of Leonardo's Mona Lisa and its cracked smile.
Philippe Sormani is Board member of the Science and Technology Studies Lab at the University of Lausanne, Switzerland; and affiliated researcher at the Institut Marcel Mauss, EHESS, in Paris, France Guelfo Carbone holds a PhD in Philosophy and History of Philosophy (Sapienza University of Rome), and is a member of the Editorial Board of the philosophical Journal "Pólemos. Materiali di filosofia e critica sociale". Priska Gisler is head of the research cluster Intermediality at University of the Arts, Bern, Switzerland, and board member of the Swiss Artistic Research Network (SARN).
Inhaltsangabe
Introduction: Experimenting with 'Art/Science'? Guelfo Carbone, Priska Gisler, Philippe Sormani Part I: Positions Chapter 1 Engaging Performative Contradiction: Introducing the rhetorics of practice and method to artist researchers Mick Wilson Chapter 2 Contemporary Art as a New Paradigm? An Artistic Revolution in Light of the History of Science Nathalie Heinich Chapter 3 Writing practices as experimental arenas at universities of the arts Priska Gisler Part II: Practices Chapter 4 Material Play and Artistic Renderings: The Production of Essentially Useless Nanotechnology Michael Lynch Chapter 5 Probing the art/science binary: Notes on the experimental achievement of shared perception Dirk vom Lehn Chapter 6 From Heterogeneity to Hybridity? Working and Living in Arts-based Research Bernhard Böhm Chapter 7 Artworks in and as Practices: The Relevance of Particulars Yaël Kreplak Chapter 8 On the discrepancy between objects and things: An ecological approach Fernando Domínguez Rubio Part III: Implications Chapter 9 Re-Programmed Art: Overcoming Obsolescence and Opening up Programmed and Kinetic Artworks Serena Cangiano, Davide Fornari, Azalea Seratoni Chapter 10 Back to the Future. Bogomir Ecker's Tropfsteinmaschine as a thought experiment in stone Johanne Mohs Chapter 11 Epistemics and Aesthetics of Experimentation: Towards a Hybrid Heuristics? Hans-Jörg Rheinberger
Introduction: Experimenting with 'Art/Science'? Guelfo Carbone, Priska Gisler, Philippe Sormani Part I: Positions Chapter 1 Engaging Performative Contradiction: Introducing the rhetorics of practice and method to artist researchers Mick Wilson Chapter 2 Contemporary Art as a New Paradigm? An Artistic Revolution in Light of the History of Science Nathalie Heinich Chapter 3 Writing practices as experimental arenas at universities of the arts Priska Gisler Part II: Practices Chapter 4 Material Play and Artistic Renderings: The Production of Essentially Useless Nanotechnology Michael Lynch Chapter 5 Probing the art/science binary: Notes on the experimental achievement of shared perception Dirk vom Lehn Chapter 6 From Heterogeneity to Hybridity? Working and Living in Arts-based Research Bernhard Böhm Chapter 7 Artworks in and as Practices: The Relevance of Particulars Yaël Kreplak Chapter 8 On the discrepancy between objects and things: An ecological approach Fernando Domínguez Rubio Part III: Implications Chapter 9 Re-Programmed Art: Overcoming Obsolescence and Opening up Programmed and Kinetic Artworks Serena Cangiano, Davide Fornari, Azalea Seratoni Chapter 10 Back to the Future. Bogomir Ecker's Tropfsteinmaschine as a thought experiment in stone Johanne Mohs Chapter 11 Epistemics and Aesthetics of Experimentation: Towards a Hybrid Heuristics? Hans-Jörg Rheinberger
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