Photography and Doubt
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Photography and Doubt provides a counter-history, by way of individually authored case studies, to a dominant strand in photographic history that emphasizes the medium¿s documentary or factual value. Instead, these new essays emphasize that photographic realism and fiction almost always coexist at the levels of production and reception, thus generating a more nuanced account of photography in which instability and veracity cohabit across the medium¿s larger history. Photography and Doubt will be an invaluable companion to undergraduate textbooks devoted to standard histories of the medium as well as providing a valuable resource for scholars.…mehr

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Produktbeschreibung
Photography and Doubt provides a counter-history, by way of individually authored case studies, to a dominant strand in photographic history that emphasizes the medium¿s documentary or factual value. Instead, these new essays emphasize that photographic realism and fiction almost always coexist at the levels of production and reception, thus generating a more nuanced account of photography in which instability and veracity cohabit across the medium¿s larger history. Photography and Doubt will be an invaluable companion to undergraduate textbooks devoted to standard histories of the medium as well as providing a valuable resource for scholars.
Autorenporträt
Sabine T. Kriebel teaches at the University College Cork, Republic of Ireland, where she has taught modern art and photography since 2004. Kriebel is author of Revolutionary Beauty: The Radical Photomontages of John Heartfield (2014) and has published widely on photography and photography theory, photomontage, and mass-circulation magazines. Andrés Mario Zervigón is Associate Professor in the Art History Department at Rutgers, The State University of New Jersey. He is author of John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-Garde Photomontage (2012) and coeditor of Photography and Its Origins (with Sheehan, 2015).