Examines the debate about popular fiction in the last two decades and its position within popular culture, with reference to crime fiction, soap opera, romance and TV sitcoms.
Examines the debate about popular fiction in the last two decades and its position within popular culture, with reference to crime fiction, soap opera, romance and TV sitcoms.
Jerry Palmer is a Professor of Communications at City of London Polytechnic. He is the author of Thrillers (1978) and The Logic of the Absurd (1987), and the wide range of articles he has written on popular culture indicates his lasting interest in the field.
Inhaltsangabe
Introduction Part I Concepts and methods Chapter 1 Approaches to popular fiction Chapter 2 Narrative grammar Chapter 3 Narrative and connotative processes Chapter 4 The speaking/reading subject Chapter 5 Narrative and ideology Chapter 6 Hegemony and subject position Chapter 7 Genre Part II Case studies Chapter 8 Crime fiction: the genre dimension Chapter 9 Crime fiction: film noir and gender Chapter 10 Soap opera, romance and femininity Chapter 11 Reading as a Woman Chapter 12 Sitcom: commercial imperatives and humour Chapter 13 Sitcom and social reality
Introduction Part I Concepts and methods Chapter 1 Approaches to popular fiction Chapter 2 Narrative grammar Chapter 3 Narrative and connotative processes Chapter 4 The speaking/reading subject Chapter 5 Narrative and ideology Chapter 6 Hegemony and subject position Chapter 7 Genre Part II Case studies Chapter 8 Crime fiction: the genre dimension Chapter 9 Crime fiction: film noir and gender Chapter 10 Soap opera, romance and femininity Chapter 11 Reading as a Woman Chapter 12 Sitcom: commercial imperatives and humour Chapter 13 Sitcom and social reality
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