Popular Music and the Poetics of Self in Fiction
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The volume explores the various intersections and interconnections of the self and popular music in fiction; it examines questions of musical taste and identity construction across decades, spaces, social groups, and cultural contexts, covering a wide range of literary and musical genres.

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Produktbeschreibung
The volume explores the various intersections and interconnections of the self and popular music in fiction; it examines questions of musical taste and identity construction across decades, spaces, social groups, and cultural contexts, covering a wide range of literary and musical genres.
Autorenporträt
Norbert Bachleitner is Professor of Comparative Literature at the University of Vienna, Austria. His fields of interest include the reception of English and French literature in the German speaking area, literary translation and transfer studies, the social history of literature, censorship, literature in periodicals, intertextuality, and digital literature. His most recent book publication is Die literarische Zensur in Österreich von 1751 bis 1848 (2017). Juliane Werner, Ph.D., is a member of the Department of Comparative Literature at the University of Vienna, Austria. Her teaching and research focuses on transcultural exchanges (Austria, France, USA), philosophical fiction, literature and psychiatry, word and music studies, and literary animal studies. She is the author of Thomas Bernhard und Jean-Paul Sartre (2016) and Existentialismus in Österreich. Kultureller Transfer und literarische Resonanz (2020).