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The arrival of Karsten Bernick's brother-in-law leads to a series of revelations, exposing a tumultuous history that could destroy his marriage and thriving business empire. To ensure his future, Karsten goes to great lengths to protect his secrets. Karsten Bernick is a successful businessman and prominent figure in a small Norwegian town. While planning his next big venture, he is startled by the arrival of his brother-in-law, Johan Tønnesen. Johan left 15 years earlier after taking the blame for an indiscretion Karsten committed. Now, he plans to clear his name and create a new life for…mehr

Produktbeschreibung
The arrival of Karsten Bernick's brother-in-law leads to a series of revelations, exposing a tumultuous history that could destroy his marriage and thriving business empire. To ensure his future, Karsten goes to great lengths to protect his secrets. Karsten Bernick is a successful businessman and prominent figure in a small Norwegian town. While planning his next big venture, he is startled by the arrival of his brother-in-law, Johan Tønnesen. Johan left 15 years earlier after taking the blame for an indiscretion Karsten committed. Now, he plans to clear his name and create a new life for himself. Johan demands Karsten tell the truth so he can get married and start a family. But the ultimatum forces Karsten to make a hasty decision with potentially fatal results. With Pillars of Society, Henrik Ibsen examines the corrupt nature of wealth and status. He questions the origin story of many high-class figures. He illustrates how far some people are willing to go to maintain their privilege. With an eye-catching new cover, and professionally typeset manuscript, this edition of Pillars of Society is both modern and readable.
Autorenporträt
Henrik Johan Ibsen (20 March 1828 - 23 May 1906) was a Norwegian playwright, theatre director, and poet. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time.[2] His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Pillars of Society, The Lady from the Sea, Rosmersholm, The Master Builder, and John Gabriel Borkman. He is the most frequently performed dramatist in the world after Shakespeare,and by the early 20th century A Doll's House became the world's most performed play. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later work examined the realities that lay behind the facades, revealing much that was disquieting to a number of his contemporaries. He had a critical eye and conducted a free inquiry into the conditions of life and issues of morality. His early poetic and cinematic play Peer Gynt, however, has also strong surreal elements.[6] Ibsen is often ranked as one of the most distinguished playwrights in the European tradition.[7] Richard Hornby describes him as "a profound poetic dramatist-the best since Shakespeare".[8] He is widely regarded as the foremost playwright of the nineteenth century.[7][9] He influenced other playwrights and novelists such as George Bernard Shaw, Oscar Wilde, Arthur Miller, James Joyce, Eugene O'Neill, and Miroslav Krle¿a. Ibsen was nominated for the Nobel Prize in Literature in 1902, 1903, and 1904.[10] Ibsen wrote his plays in Danish (the common written language of Denmark and Norway during his lifetime)[11] and they were published by the Danish publisher Gyldendal. Although most of his plays are set in Norway-often in places reminiscent of Skien, the port town where he grew up-Ibsen lived for 27 years in Italy and Germany, and rarely visited Norway during his most productive years. Born into a merchant family connected to the patriciate of Skien, Ibsen shaped his dramas according to his family background. He was the father of Prime Minister Sigurd Ibsen. Ibsen's dramas have a strong influence upon contemporary culture.