Over the past 50 years, Indigenous Australian theatre practice has emerged as a dynamic site for the discursive reflection of culture and tradition as well as colonial legacies, leveraging the power of storytelling to create and advocate contemporary fluid conceptions of Indigeneity.
Over the past 50 years, Indigenous Australian theatre practice has emerged as a dynamic site for the discursive reflection of culture and tradition as well as colonial legacies, leveraging the power of storytelling to create and advocate contemporary fluid conceptions of Indigeneity.
Introduction Chapter 1- Cultural and Historical Context Chapter 2- Contemporary Indigenous Australian Theatre Chapter 3- Case Study: Scott Rankin's NAMATJIRA (2010) Chapter 4- Case Study: Wesley Enoch & Anita Heiss' I AM EORA (2012) Conclusion
Introduction Chapter 1- Cultural and Historical Context Chapter 2- Contemporary Indigenous Australian Theatre Chapter 3- Case Study: Scott Rankin's NAMATJIRA (2010) Chapter 4- Case Study: Wesley Enoch & Anita Heiss' I AM EORA (2012) Conclusion
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