Over the past 50 years, Indigenous Australian theatre practice has emerged as a dynamic site for the discursive reflection of culture and tradition as well as colonial legacies, leveraging the power of storytelling to create and advocate contemporary fluid conceptions of Indigeneity.
Over the past 50 years, Indigenous Australian theatre practice has emerged as a dynamic site for the discursive reflection of culture and tradition as well as colonial legacies, leveraging the power of storytelling to create and advocate contemporary fluid conceptions of Indigeneity.
Susanne Julia Thurow is a Post-Doctoral Fellow at The University of New South Wales, Sydney, Australia. She obtained her PhD in English Philology from Christian-Albrechts-Universität zu Kiel (Germany) in 2017. Previously, she worked for Big hART Inc., the Universities of Melbourne and Sydney, Goethe Institut and Thalia Theater (Hamburg, Germany).
Inhaltsangabe
Introduction Chapter 1- Cultural and Historical Context Chapter 2- Contemporary Indigenous Australian Theatre Chapter 3- Case Study: Scott Rankin's NAMATJIRA (2010) Chapter 4- Case Study: Wesley Enoch & Anita Heiss' I AM EORA (2012) Conclusion
Introduction Chapter 1- Cultural and Historical Context Chapter 2- Contemporary Indigenous Australian Theatre Chapter 3- Case Study: Scott Rankin's NAMATJIRA (2010) Chapter 4- Case Study: Wesley Enoch & Anita Heiss' I AM EORA (2012) Conclusion
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