Lisa McCormick is a Lecturer in the department of sociology at the University of Edinburgh. She has published widely in the sociology of the arts and serves on the editorial boards of the American Journal of Cultural Sociology and Music and Art in Action. She is co-editor, with Ron Eyerman, of Myth, Meaning and Performance (2006). Her first article on music competitions, which appeared in Cultural Sociology in 2009, won the SAGE prize in excellence and/or innovation. She is also a Faculty Fellow with the Center for Cultural Sociology at Yale University, Connecticut and a Research Associate with the Centre for Death and Society at the University of Bath.
Inhaltsangabe
Introduction 1. The rise and near demise of the international music competition 2. Competitions enter the civil sphere 3. Narrating the competition 4. The presentation of musical self 5. Producing sound judgments 6. Voicing opinions Conclusion: what is the future of music competitions? Appendix A. Selected competitions: facts and figures Appendix B. Membership of the World Federation of International Music Competitions (WFIMC), 1957-2012 Appendix C. Putting the 'performance perspective' in perspective.
Introduction 1. The rise and near demise of the international music competition 2. Competitions enter the civil sphere 3. Narrating the competition 4. The presentation of musical self 5. Producing sound judgments 6. Voicing opinions Conclusion: what is the future of music competitions? Appendix A. Selected competitions: facts and figures Appendix B. Membership of the World Federation of International Music Competitions (WFIMC), 1957-2012 Appendix C. Putting the 'performance perspective' in perspective.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
