Part 1; Chapter 1 Between Two Worlds: The Emerging Aesthetic of the National Theater of the Deaf Kanta Kochhar-Lindgren; Chapter 2 "Better Me Than You": Children of a Lesser God Deaf Education and Paternalism Robert C. Spirko; Chapter 3 Violence Pain Pleasure: Wit Pamela Cooper; Chapter 4 Making an Art out of Suffering: Bill T. Jones's Uncle Tom Tess Chakkalakal; Chapter 5 Ruby Cohn; Chapter 6 Depression-the Undiagnosed Disability in Marsha Norman's 'night Mother Sarah Reuning; Chapter 7 "Some Unheard-of Thing": Freaks Families and Coming of Age in The Member of the Wedding ThomasFahy; Chapter 8 Young Doctors Come to See the Elephant Man JohannaShapiro; Part 2; Chapter 9 Acting without Limits: Profiles of Three Physically Disabled Performers Lilah F. Morris; Chapter 10 Two-Act Play Nancy Bezant; Chapter 11 An Interview with James MacDonald Thomas Fahy; Chapter 12 Balance Is Stillness James Macdonald;
Part 1; Chapter 1 Between Two Worlds: The Emerging Aesthetic of the National Theater of the Deaf Kanta Kochhar-Lindgren; Chapter 2 "Better Me Than You": Children of a Lesser God Deaf Education and Paternalism Robert C. Spirko; Chapter 3 Violence Pain Pleasure: Wit Pamela Cooper; Chapter 4 Making an Art out of Suffering: Bill T. Jones's Uncle Tom Tess Chakkalakal; Chapter 5 Ruby Cohn; Chapter 6 Depression-the Undiagnosed Disability in Marsha Norman's 'night Mother Sarah Reuning; Chapter 7 "Some Unheard-of Thing": Freaks Families and Coming of Age in The Member of the Wedding ThomasFahy; Chapter 8 Young Doctors Come to See the Elephant Man JohannaShapiro; Part 2; Chapter 9 Acting without Limits: Profiles of Three Physically Disabled Performers Lilah F. Morris; Chapter 10 Two-Act Play Nancy Bezant; Chapter 11 An Interview with James MacDonald Thomas Fahy; Chapter 12 Balance Is Stillness James Macdonald;
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