Panpipes and Ponchos offers the first detailed historical study of the Bolivian folkloric music movement, showing how musical practices developed by the politically dominant, nonindigenous residents of twentieth-century La Paz city came to be misrepresented as pre-Columbian, indigenous folk music.
Panpipes and Ponchos offers the first detailed historical study of the Bolivian folkloric music movement, showing how musical practices developed by the politically dominant, nonindigenous residents of twentieth-century La Paz city came to be misrepresented as pre-Columbian, indigenous folk music.
Fernando Rios is Associate Professor in Ethnomusicology at the University of Maryland. His research interests include Latin American (especially Bolivian) folkloric, indigenous, and popular music; folklorization and nation-building; music and social-political movements; the politics of cultural appropriation; and historical ethnomusicology.
Inhaltsangabe
* Acknowledgments * Chapter 1: Introduction * Part One - Foundations of the Bolivian Folkloric Music Movement * Chapter 2: Musical Dimensions of Indigenismo * Chapter 3: Estudiantinas and Female Vocal Duos * Part Two - Musical Folklorization in the Period of Revolutionary Nationalism (1952-1964) * Chapter 4: State-Sponsored Folklorization of Music-Dance Traditions in the MNR Era * Chapter 5: Bolero Trios, Urban Mestizo Panpipe Groups, and Early Incarnations of the Andean Conjunto * Part Three - The Folklore Boom and Its Legacies * Chapter 6: 1965, The Onset of the Folkloric Music Boom * Chapter 7: Los Jairas, Peña Naira, and the Folklore Boom * Chapter 8: Postlude * References * Index
* Acknowledgments * Chapter 1: Introduction * Part One - Foundations of the Bolivian Folkloric Music Movement * Chapter 2: Musical Dimensions of Indigenismo * Chapter 3: Estudiantinas and Female Vocal Duos * Part Two - Musical Folklorization in the Period of Revolutionary Nationalism (1952-1964) * Chapter 4: State-Sponsored Folklorization of Music-Dance Traditions in the MNR Era * Chapter 5: Bolero Trios, Urban Mestizo Panpipe Groups, and Early Incarnations of the Andean Conjunto * Part Three - The Folklore Boom and Its Legacies * Chapter 6: 1965, The Onset of the Folkloric Music Boom * Chapter 7: Los Jairas, Peña Naira, and the Folklore Boom * Chapter 8: Postlude * References * Index
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