The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
Pablo Palomino is Assistant Professor of Latin American and Caribbean Studies and Mellon Faculty Fellow at Oxford College of Emory University.
Inhaltsangabe
Acknowledgments Abbreviations Introduction: Music is Latin American history Chapter 1: A continental patchwork Chapter 2: Transnational networks Chapter 3: State musical populisms Chapter 4: The transnational formation of Latin American musicology Chapter 5: Latin/Pan American music Chapter 6: Music and regionalism since the 1950s Epilogue: A century of Latin American Music Bibliography
Acknowledgments Abbreviations Introduction: Music is Latin American history Chapter 1: A continental patchwork Chapter 2: Transnational networks Chapter 3: State musical populisms Chapter 4: The transnational formation of Latin American musicology Chapter 5: Latin/Pan American music Chapter 6: Music and regionalism since the 1950s Epilogue: A century of Latin American Music Bibliography
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