The Oxford Handbook of Sound and Image in Western Art is the first book to examine, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms: painting, sculpture, installation, architecture, performance art, animation, film, video art, visual music, multimedia, experimental music, sound art, opera, theatre and dance.
The Oxford Handbook of Sound and Image in Western Art is the first book to examine, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms: painting, sculpture, installation, architecture, performance art, animation, film, video art, visual music, multimedia, experimental music, sound art, opera, theatre and dance.
Yael Kaduri is a musicologist who teaches in the History and Theory Department of Bezalel University and in the Cinema and TV Arts Department of Sapir College.
Inhaltsangabe
* 1. Yael Kaduri - Introduction: Audiovisual Spaces of Physical Comprehension * Section I. Sights and Sounds * 2. Judith Zilczer - American Rhapsody: From Modern to Post-Modern in Visual Music * 3. Ruth HaCohen - Between Generation and Suspension: Two Modern Audiovisual Modes * 4. Bret Battey and Rajmil (Yerach) Fischman - Convergence of Time and Space: A Composer's Perspective * 5. Jean-Baptiste Barrière and Aleksi Barrière - When Music Unfolds into Image: Conceiving Visual Concerts for Kaija Saariaho's Works * 6. Cornelia Lund - Sculpting Image and Sound: On Herman Kolgen's Audiovisual Projects * 7. Nicholas Cook - Hearing Gould, Seeing Music * 8. Rachel Duerden - Choreo-Musical Relationships in Mark Morris's "All Fours" (2003) * Section II. Sound, Space and Matter * 9. Nicholas Till - "Sound Houses": Music, Architecture and the Postmodern Sonic * 10. Julia Kursell and Armin Schäfer - Microsound and Macrocosm: Gérard Grisey's Explorations of Musical Sound and Space * 11. Mirjam Schaub - The Affective Experience of Space: Janet Cardiff and George Bures Miller * 12. Petra Maria Meyer - Sound, Image, Dance and Space in Intermedial Theatre: Past and Present * 13. Enrico Pitozzi - Body Soundscape: Perception, Movement and Audiovisual in Contemporary Dance * 14. Randolph Jordan - Acoustical Properties: Practicing Contested Spaces in the Films of Philippe Grandrieux * 15. Dieter Daniels - Silence and Void: Aesthetics of Absence in Space and Time * Section III. Performance, Performativity and Text * 16. Björn Heile - Towards a Theory of Experimental Music Theatre: "Showing-Doing," "Non-Matrixed Performance," and "Metaxis" * 17. Gabriele Brandstetter - Showing Dance: Lecture Performances in Dance since the 1990s * 18. Simon Shaw-Miller - Object and Idea: Music in the Art of Kandinsky, Duchamp, Paik and Marclay * 19. Gabriele Jutz - Audiovisual Aesthetics in Contemporary Experimental Cinema * 20. Endre Szkárosi -The Spatial Expansion of Language in Hungarian Poetry in the Last Decades of the 20th Century * 21. Valentina Valentini - The Dramaturgy of Sound and Vocality in the Theatre of Socìetas Raffaello Sanzio * 22. John Richardson - Between Speech, Music and Sound: the Voice, Flow and the Aestheticizing Impulse in Audiovisual Media
* 1. Yael Kaduri - Introduction: Audiovisual Spaces of Physical Comprehension * Section I. Sights and Sounds * 2. Judith Zilczer - American Rhapsody: From Modern to Post-Modern in Visual Music * 3. Ruth HaCohen - Between Generation and Suspension: Two Modern Audiovisual Modes * 4. Bret Battey and Rajmil (Yerach) Fischman - Convergence of Time and Space: A Composer's Perspective * 5. Jean-Baptiste Barrière and Aleksi Barrière - When Music Unfolds into Image: Conceiving Visual Concerts for Kaija Saariaho's Works * 6. Cornelia Lund - Sculpting Image and Sound: On Herman Kolgen's Audiovisual Projects * 7. Nicholas Cook - Hearing Gould, Seeing Music * 8. Rachel Duerden - Choreo-Musical Relationships in Mark Morris's "All Fours" (2003) * Section II. Sound, Space and Matter * 9. Nicholas Till - "Sound Houses": Music, Architecture and the Postmodern Sonic * 10. Julia Kursell and Armin Schäfer - Microsound and Macrocosm: Gérard Grisey's Explorations of Musical Sound and Space * 11. Mirjam Schaub - The Affective Experience of Space: Janet Cardiff and George Bures Miller * 12. Petra Maria Meyer - Sound, Image, Dance and Space in Intermedial Theatre: Past and Present * 13. Enrico Pitozzi - Body Soundscape: Perception, Movement and Audiovisual in Contemporary Dance * 14. Randolph Jordan - Acoustical Properties: Practicing Contested Spaces in the Films of Philippe Grandrieux * 15. Dieter Daniels - Silence and Void: Aesthetics of Absence in Space and Time * Section III. Performance, Performativity and Text * 16. Björn Heile - Towards a Theory of Experimental Music Theatre: "Showing-Doing," "Non-Matrixed Performance," and "Metaxis" * 17. Gabriele Brandstetter - Showing Dance: Lecture Performances in Dance since the 1990s * 18. Simon Shaw-Miller - Object and Idea: Music in the Art of Kandinsky, Duchamp, Paik and Marclay * 19. Gabriele Jutz - Audiovisual Aesthetics in Contemporary Experimental Cinema * 20. Endre Szkárosi -The Spatial Expansion of Language in Hungarian Poetry in the Last Decades of the 20th Century * 21. Valentina Valentini - The Dramaturgy of Sound and Vocality in the Theatre of Socìetas Raffaello Sanzio * 22. John Richardson - Between Speech, Music and Sound: the Voice, Flow and the Aestheticizing Impulse in Audiovisual Media
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