Music, Myth and Story in Medieval and Early Modern Culture
Herausgeber: Butler, Katherine; Bassler, Samantha
Music, Myth and Story in Medieval and Early Modern Culture
Herausgeber: Butler, Katherine; Bassler, Samantha
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The complex relationship between myths and music is here investigated.
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Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 342
- Erscheinungstermin: 15. März 2019
- Englisch
- Abmessung: 236mm x 163mm x 28mm
- Gewicht: 771g
- ISBN-13: 9781783273713
- ISBN-10: 1783273712
- Artikelnr.: 53544942
- Verlag: Boydell & Brewer
- Seitenzahl: 342
- Erscheinungstermin: 15. März 2019
- Englisch
- Abmessung: 236mm x 163mm x 28mm
- Gewicht: 771g
- ISBN-13: 9781783273713
- ISBN-10: 1783273712
- Artikelnr.: 53544942
Katherine Butler, Samantha Bassler
Introduction Music and the Myth of Apollo's Grove
John MacInnis The Consolation of Philosophy and the 'Gentle' Remedy of Music
Férdia J Stone
Davis And in England, There are Singers: Grafting Oneself into the Origins of Music
Elina G. Hamilton The Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages
Jason Stoessel Foolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520
Tim Shephard Marsilio Ficino and Girolamo Cardano under Orpheus's Spell
Jacomien Prins Origin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England
Katherine Butler How to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England
Jamie Apgar In Pursuit of Echo: Sound, Space, and the History of the Self
Ljubica Ilic Ophelia's Mad Songs and Performing Story in Early Modern England
Samantha Bassler Dangerous Beauty: Stories of Singing Women in Early Modern Italy
Sigrid Harris 'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes
Katie Bank Feeling Fallen: A Re
telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda'
Aurora Faye Martinez 'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late
Seventeenth
and Early
Eighteenth
Century English Operatic Entertainments
Amanda Eubanks Winkler Translating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier's Momus Fabuliste (1719
29)
Erica Levenson Bibliography
John MacInnis The Consolation of Philosophy and the 'Gentle' Remedy of Music
Férdia J Stone
Davis And in England, There are Singers: Grafting Oneself into the Origins of Music
Elina G. Hamilton The Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages
Jason Stoessel Foolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520
Tim Shephard Marsilio Ficino and Girolamo Cardano under Orpheus's Spell
Jacomien Prins Origin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England
Katherine Butler How to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England
Jamie Apgar In Pursuit of Echo: Sound, Space, and the History of the Self
Ljubica Ilic Ophelia's Mad Songs and Performing Story in Early Modern England
Samantha Bassler Dangerous Beauty: Stories of Singing Women in Early Modern Italy
Sigrid Harris 'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes
Katie Bank Feeling Fallen: A Re
telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda'
Aurora Faye Martinez 'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late
Seventeenth
and Early
Eighteenth
Century English Operatic Entertainments
Amanda Eubanks Winkler Translating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier's Momus Fabuliste (1719
29)
Erica Levenson Bibliography
Introduction Music and the Myth of Apollo's Grove
John MacInnis The Consolation of Philosophy and the 'Gentle' Remedy of Music
Férdia J Stone
Davis And in England, There are Singers: Grafting Oneself into the Origins of Music
Elina G. Hamilton The Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages
Jason Stoessel Foolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520
Tim Shephard Marsilio Ficino and Girolamo Cardano under Orpheus's Spell
Jacomien Prins Origin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England
Katherine Butler How to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England
Jamie Apgar In Pursuit of Echo: Sound, Space, and the History of the Self
Ljubica Ilic Ophelia's Mad Songs and Performing Story in Early Modern England
Samantha Bassler Dangerous Beauty: Stories of Singing Women in Early Modern Italy
Sigrid Harris 'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes
Katie Bank Feeling Fallen: A Re
telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda'
Aurora Faye Martinez 'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late
Seventeenth
and Early
Eighteenth
Century English Operatic Entertainments
Amanda Eubanks Winkler Translating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier's Momus Fabuliste (1719
29)
Erica Levenson Bibliography
John MacInnis The Consolation of Philosophy and the 'Gentle' Remedy of Music
Férdia J Stone
Davis And in England, There are Singers: Grafting Oneself into the Origins of Music
Elina G. Hamilton The Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages
Jason Stoessel Foolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520
Tim Shephard Marsilio Ficino and Girolamo Cardano under Orpheus's Spell
Jacomien Prins Origin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England
Katherine Butler How to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England
Jamie Apgar In Pursuit of Echo: Sound, Space, and the History of the Self
Ljubica Ilic Ophelia's Mad Songs and Performing Story in Early Modern England
Samantha Bassler Dangerous Beauty: Stories of Singing Women in Early Modern Italy
Sigrid Harris 'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes
Katie Bank Feeling Fallen: A Re
telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda'
Aurora Faye Martinez 'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late
Seventeenth
and Early
Eighteenth
Century English Operatic Entertainments
Amanda Eubanks Winkler Translating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier's Momus Fabuliste (1719
29)
Erica Levenson Bibliography