Music and Instruments of the Middle Ages
Essays in Honour of Christopher Page
Herausgeber: Knighton, Tess; Skinner, David
Music and Instruments of the Middle Ages
Essays in Honour of Christopher Page
Herausgeber: Knighton, Tess; Skinner, David
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Essays on important topics in early music.
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Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 510
- Erscheinungstermin: 16. Oktober 2020
- Englisch
- Abmessung: 244mm x 170mm x 38mm
- Gewicht: 1111g
- ISBN-13: 9781783275564
- ISBN-10: 1783275561
- Artikelnr.: 58776816
- Verlag: Boydell & Brewer
- Seitenzahl: 510
- Erscheinungstermin: 16. Oktober 2020
- Englisch
- Abmessung: 244mm x 170mm x 38mm
- Gewicht: 1111g
- ISBN-13: 9781783275564
- ISBN-10: 1783275561
- Artikelnr.: 58776816
Tess Knighton, David Skinner
Introduction
Tess Knighton and David Skinner The Progeny of Bernart de Ventadorn's Can vei la lauzeta mover
Elizabeth Aubrey Medieval Iberian Song in its Mediterranean Context: From Andalusian muwashshahat to the Cantigas de Santa Maria
Manuel Pedro Ferreira The estampies of Douce 308
Elizabeth Eva Leach Anonymous IV and the Antiqui
Rob C. Wegman The Development of the Latin Liturgical Psalter in England
John Caldwell Forgotten Levers of Harmony: Where Are the Grammarians' Claviculi?
Crawford Young The Variable
Voice Conductus
Mark Everist Making Sense of Omnis / Habenti: An Ars Nova Motet in England
Lisa Colton Super omnes speciosa: Machaut Reading Vitry
Alice V. Clark 'The spirit moves me to speak of forms changed into new bodies': Anton Webern, Philippe de Vitry, and the Reception of the Ars Nova Motet
Lawrence Earp La belle se siet: Where Dufay and Josquin Meet
David Fallows In Search of Medieval Music in Non
Western Countries
Anna Maria Busse Berger Where Did Our Musical Instruments Come From?
Jeremy Montagu Instrumentalists and Changing Performance Contexts, c. 1500
Keith Polk Non
mensural Polyphony: Performing Plainsong
Reinhard Strohm 'Übersingen' and 'Quintieren': Non
Mensural Polyphony in Secular Repertories: Oswald von Wolkenstein and the Monk of Salzburg
Marc Lewon From Page to Sound: Performing the Masses of Walter Frye
Andrew Kirkman
Tess Knighton and David Skinner The Progeny of Bernart de Ventadorn's Can vei la lauzeta mover
Elizabeth Aubrey Medieval Iberian Song in its Mediterranean Context: From Andalusian muwashshahat to the Cantigas de Santa Maria
Manuel Pedro Ferreira The estampies of Douce 308
Elizabeth Eva Leach Anonymous IV and the Antiqui
Rob C. Wegman The Development of the Latin Liturgical Psalter in England
John Caldwell Forgotten Levers of Harmony: Where Are the Grammarians' Claviculi?
Crawford Young The Variable
Voice Conductus
Mark Everist Making Sense of Omnis / Habenti: An Ars Nova Motet in England
Lisa Colton Super omnes speciosa: Machaut Reading Vitry
Alice V. Clark 'The spirit moves me to speak of forms changed into new bodies': Anton Webern, Philippe de Vitry, and the Reception of the Ars Nova Motet
Lawrence Earp La belle se siet: Where Dufay and Josquin Meet
David Fallows In Search of Medieval Music in Non
Western Countries
Anna Maria Busse Berger Where Did Our Musical Instruments Come From?
Jeremy Montagu Instrumentalists and Changing Performance Contexts, c. 1500
Keith Polk Non
mensural Polyphony: Performing Plainsong
Reinhard Strohm 'Übersingen' and 'Quintieren': Non
Mensural Polyphony in Secular Repertories: Oswald von Wolkenstein and the Monk of Salzburg
Marc Lewon From Page to Sound: Performing the Masses of Walter Frye
Andrew Kirkman
Introduction
Tess Knighton and David Skinner The Progeny of Bernart de Ventadorn's Can vei la lauzeta mover
Elizabeth Aubrey Medieval Iberian Song in its Mediterranean Context: From Andalusian muwashshahat to the Cantigas de Santa Maria
Manuel Pedro Ferreira The estampies of Douce 308
Elizabeth Eva Leach Anonymous IV and the Antiqui
Rob C. Wegman The Development of the Latin Liturgical Psalter in England
John Caldwell Forgotten Levers of Harmony: Where Are the Grammarians' Claviculi?
Crawford Young The Variable
Voice Conductus
Mark Everist Making Sense of Omnis / Habenti: An Ars Nova Motet in England
Lisa Colton Super omnes speciosa: Machaut Reading Vitry
Alice V. Clark 'The spirit moves me to speak of forms changed into new bodies': Anton Webern, Philippe de Vitry, and the Reception of the Ars Nova Motet
Lawrence Earp La belle se siet: Where Dufay and Josquin Meet
David Fallows In Search of Medieval Music in Non
Western Countries
Anna Maria Busse Berger Where Did Our Musical Instruments Come From?
Jeremy Montagu Instrumentalists and Changing Performance Contexts, c. 1500
Keith Polk Non
mensural Polyphony: Performing Plainsong
Reinhard Strohm 'Übersingen' and 'Quintieren': Non
Mensural Polyphony in Secular Repertories: Oswald von Wolkenstein and the Monk of Salzburg
Marc Lewon From Page to Sound: Performing the Masses of Walter Frye
Andrew Kirkman
Tess Knighton and David Skinner The Progeny of Bernart de Ventadorn's Can vei la lauzeta mover
Elizabeth Aubrey Medieval Iberian Song in its Mediterranean Context: From Andalusian muwashshahat to the Cantigas de Santa Maria
Manuel Pedro Ferreira The estampies of Douce 308
Elizabeth Eva Leach Anonymous IV and the Antiqui
Rob C. Wegman The Development of the Latin Liturgical Psalter in England
John Caldwell Forgotten Levers of Harmony: Where Are the Grammarians' Claviculi?
Crawford Young The Variable
Voice Conductus
Mark Everist Making Sense of Omnis / Habenti: An Ars Nova Motet in England
Lisa Colton Super omnes speciosa: Machaut Reading Vitry
Alice V. Clark 'The spirit moves me to speak of forms changed into new bodies': Anton Webern, Philippe de Vitry, and the Reception of the Ars Nova Motet
Lawrence Earp La belle se siet: Where Dufay and Josquin Meet
David Fallows In Search of Medieval Music in Non
Western Countries
Anna Maria Busse Berger Where Did Our Musical Instruments Come From?
Jeremy Montagu Instrumentalists and Changing Performance Contexts, c. 1500
Keith Polk Non
mensural Polyphony: Performing Plainsong
Reinhard Strohm 'Übersingen' and 'Quintieren': Non
Mensural Polyphony in Secular Repertories: Oswald von Wolkenstein and the Monk of Salzburg
Marc Lewon From Page to Sound: Performing the Masses of Walter Frye
Andrew Kirkman