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Etymology, Extracts, Chapter 1 - Loomings, Chapter 2 - The Carpet-Bag, Chapter 3 - The Spouter-Inn, Chapter 4 - The Counterpane, Chapter 5 - Breakfast, Chapter 6 - The Street, Chapter 7 - The Chapel, Chapter 8 - The Pulpit, Chapter 9 - The Sermon, Chapter 10 - A Bosom Friend, Chapter 11 - Nightgown, Chapter 12 - Biographical, Chapter 13 - Wheelbarrow, Chapter 14 - Nantucket, Chapter 15 - Chowder, Chapter 16 - The Ship, Chapter 17 - The Ramadan, Chapter 18 - His Mark, Chapter 19 - The Prophet, Chapter 20 - All Astir, Chapter 21 - Going Aboard, Chapter 22 - Merry Christmas, Chapter 23 - The Lee…mehr

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Produktbeschreibung
Etymology, Extracts, Chapter 1 - Loomings, Chapter 2 - The Carpet-Bag, Chapter 3 - The Spouter-Inn, Chapter 4 - The Counterpane, Chapter 5 - Breakfast, Chapter 6 - The Street, Chapter 7 - The Chapel, Chapter 8 - The Pulpit, Chapter 9 - The Sermon, Chapter 10 - A Bosom Friend, Chapter 11 - Nightgown, Chapter 12 - Biographical, Chapter 13 - Wheelbarrow, Chapter 14 - Nantucket, Chapter 15 - Chowder, Chapter 16 - The Ship, Chapter 17 - The Ramadan, Chapter 18 - His Mark, Chapter 19 - The Prophet, Chapter 20 - All Astir, Chapter 21 - Going Aboard, Chapter 22 - Merry Christmas, Chapter 23 - The Lee Shore, Chapter 24 - The Advocate, Chapter 25 - Postscript, Chapter 26 - Knights and Squires, Chapter 27 - Knights and Squires, Chapter 28 - Ahab, Chapter 29 - Enter Ahab; to Him, Stubb, Chapter 30 - The Pipe, Chapter 31 - Queen Mab, Chapter 32 - Cetology, Chapter 33 - The Specksnyder, Chapter 34 - The Cabin-Table, Chapter 35 - The Mast-Head, Chapter 36 - The Quarter-Deck, Chapter 37 - Sunset, Chapter 38 - Dusk, Chapter 39 - First Night-Watch, Chapter 40 - Midnight, Forecastle, ....
Autorenporträt
Herman Melville (1819 - 1891) was an American novelist, short story writer and poet of the American Renaissance period. His best known works include Typee (1846), a romantic account of his experiences in Polynesian life and his whaling novel Moby-Dick (1851). His work was almost forgotten during his last thirty years. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy and engagement in the contradictions of American society in a period of rapid change. He developed a complex, baroque style: the vocabulary is rich and original, a strong sense of rhythm infuses the elaborate sentences, the imagery is often mystical or ironic and the abundance of allusion extends to Scripture, myth, philosophy, literature and the visual arts.