Media Culture in Transnational Asia: Convergences and Divergences offers a comprehensive and extensive overview of the production, consumption, and exchange of media in Asia, presenting the region as a rich site for media examination and exploration.
Media Culture in Transnational Asia: Convergences and Divergences offers a comprehensive and extensive overview of the production, consumption, and exchange of media in Asia, presenting the region as a rich site for media examination and exploration.
HYESU PARK is an assistant professor of English at Bellevue College in Bellevue, Washington. Her articles have appeared in Image and Narrative, Studies in Twentieth and Twenty-First Century Literature, and American Book Review.
Inhaltsangabe
Contents Introduction Hyesu Park and Maya Dodd Part I: Transnational Approach Chapter 1: Converging on Love and Indifference: Mediated Otherness in South and East Asia Rea Amit Chapter 2: The Child Bride: Unpacking the Popularity of the Indian Television Show Balika Vadhu in Vietnam Shubhda Arora and Juhi Jotwani Chapter 3: Star Construction in the Era of Media Convergence: Pro-Am Online Videos, Co-creative Culture, and Transnational Chinese Icons on YouTube Dorothy Wai Sim Lau Chapter 4: Screen to Screen: Adaptation and Transnational Circulation of Chinese (Web) Novels for Television W. Michelle Wang Chapter 5: Rhetorical Liminality in Southeast Asian Media Representations of Human Trafficking John Gagnon Chapter 6: Addressing Transnational Legacies of Colonialism in East Asia: Cases from Contemporary Japanese Art Hiroki Yamamoto Part II: Single-nation Approach Chapter 7: Media, Narrative, and Culture: Narrativizing and Contextualizing Korean Mukbang Shows Hyesu Park Chapter 8: Construction, Consumption, and Representation of White Supremacy in Sri Lankan Advertisements: Living White While Being Non-White Asantha U. Attanayake Chapter 9: A Liminal Bengali Identity: Film Culture in Bangladesh Sabiha Huq Chapter 10: Screening Southeast Asia: Film, Politics, and the Emergence of the Nation in Post-War Southeast Asia Darlene Machell de Leon Espena Chapter 11: Afghan Media and Culture in Transition Alireza Dehghan Chapter 12: A Semiotic Analysis of Symbolic Actions of Iranian Instagram Users Hamid Abdollahyan and Hoornaz Keshavarzia Acknowledgments Bibliography Notes on Contributors Index
Contents Introduction Hyesu Park and Maya Dodd Part I: Transnational Approach Chapter 1: Converging on Love and Indifference: Mediated Otherness in South and East Asia Rea Amit Chapter 2: The Child Bride: Unpacking the Popularity of the Indian Television Show Balika Vadhu in Vietnam Shubhda Arora and Juhi Jotwani Chapter 3: Star Construction in the Era of Media Convergence: Pro-Am Online Videos, Co-creative Culture, and Transnational Chinese Icons on YouTube Dorothy Wai Sim Lau Chapter 4: Screen to Screen: Adaptation and Transnational Circulation of Chinese (Web) Novels for Television W. Michelle Wang Chapter 5: Rhetorical Liminality in Southeast Asian Media Representations of Human Trafficking John Gagnon Chapter 6: Addressing Transnational Legacies of Colonialism in East Asia: Cases from Contemporary Japanese Art Hiroki Yamamoto Part II: Single-nation Approach Chapter 7: Media, Narrative, and Culture: Narrativizing and Contextualizing Korean Mukbang Shows Hyesu Park Chapter 8: Construction, Consumption, and Representation of White Supremacy in Sri Lankan Advertisements: Living White While Being Non-White Asantha U. Attanayake Chapter 9: A Liminal Bengali Identity: Film Culture in Bangladesh Sabiha Huq Chapter 10: Screening Southeast Asia: Film, Politics, and the Emergence of the Nation in Post-War Southeast Asia Darlene Machell de Leon Espena Chapter 11: Afghan Media and Culture in Transition Alireza Dehghan Chapter 12: A Semiotic Analysis of Symbolic Actions of Iranian Instagram Users Hamid Abdollahyan and Hoornaz Keshavarzia Acknowledgments Bibliography Notes on Contributors Index
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