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Rilke's prayerful responses to the french master's beseeching art For a long time nothing, and then suddenly one has the right eyes. Virtually every day in the fall of 1907, Rainer Maria Rilke returned to a Paris gallery to view a Cezanne exhibition. Nearly as frequently, he wrote dense and joyful letters to his wife, Clara Westhoff, expressing his dismay before the paintings and his ensuing revelations about art and life. Rilke was knowledgeable about art and had even published monographs, including a famous study of Rodin that inspired his New Poems. But Cezanne's impact on him could not be conveyed in a traditional essay. Rilke's sense of kinship with Cezanne provides a powerful and prescient undercurrent in these letters -- passages from them appear verbatim in Rilke's great modernist novel, The Notebooks of Malte Laurids Brigge. Letters on Cezanne is a collection of meaningfully private responses to a radically new art.
Rainer Maria Rilke (1875-1926) was born in Prague into a German-speaking family. While based in Paris, he traveled broadly until finally settling in Switzerland. Rilke's verse deeply influenced subsequent poets and writers. His Duino Elegies and Sonnets to Orpheus count among the great achievements in world literature. Some of Rilke's letters are available in English as Letters to a Young Poet, Letters on Life, and The Dark Interval.
