Helena Bassil-Morozow and Luke Hockley present Jungian Film Studies: The essential guide, the first book to bring together all the different strands, issues and arguments in the discipline, and guide the reader through the various ways in which Jungian psychology can be applied to moving images.
Helena Bassil-Morozow and Luke Hockley present Jungian Film Studies: The essential guide, the first book to bring together all the different strands, issues and arguments in the discipline, and guide the reader through the various ways in which Jungian psychology can be applied to moving images.
Helena Bassil-Morozow, PhD, is a cultural philosopher, media and film scholar, and academic writer whose many publications include Tim Burton: The Monster and the Crowd, The Trickster in Contemporary Film and The Trickster and the System: Identity and Agency in Contemporary Society (all Routledge).She is currently working on several other Routledge projects. She is a Lecturer in Media and Communication at Glasgow Caledonian University, UK. www.hbassilmorozow.com. Luke Hockley, PhD, is Research Professor of Media Analysis at the University of Bedfordshire, UK. He is a practising psychotherapist and is registered with the United Kingdom Council for Psychotherapy (UKCP). Luke is joint Editor in Chief of the International Journal of Jungian Studies (IJJS) and a member of the Advisory Board for the journal Spring. His publications include Jung and Film 2, Somatic Cinema: The Relationship between Body and Screen ¿ a Jungian Perspective and The Happiness Illusion: How the Media Sold Us a Fairy Tale (all Routledge). He lectures widely. www.lukehockley.com.
Inhaltsangabe
Acknowledgements. Introduction . Part 1: Methods The context of Jungian film studies 2. Using Jung to analyse visual narratives: tools and concepts 3. Jungian psychology: signs and symbols Part 2: Applications 4. Combining different methodologies in visual narrative analysis 5. The auteur theory: a Jungian view 6. Film genres and archetypes 7. Jungian vs. Freudians: gender, identity and sexuality on screen 8. The body: phenomenology and cinema Bibliography List of names Index
Acknowledgements. Introduction . Part 1: Methods The context of Jungian film studies 2. Using Jung to analyse visual narratives: tools and concepts 3. Jungian psychology: signs and symbols Part 2: Applications 4. Combining different methodologies in visual narrative analysis 5. The auteur theory: a Jungian view 6. Film genres and archetypes 7. Jungian vs. Freudians: gender, identity and sexuality on screen 8. The body: phenomenology and cinema Bibliography List of names Index
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