Collective Trauma and the Psychology of Secrets in Transnational Film advances a methodological line of inquiry based on a fresh insight into the ways in which cinematic meaning is generated and can be ascertained.
Collective Trauma and the Psychology of Secrets in Transnational Film advances a methodological line of inquiry based on a fresh insight into the ways in which cinematic meaning is generated and can be ascertained.
Deborah Porter is Associate Professor in the Jackson School of International Studies at the University of Washington, USA
Inhaltsangabe
Preface 1. New Psychoanalytical Tools for Historical Inquiry 2. Haunted Inheritance: Fantasy as Phantom in Guillermo del Toro's Pan's Labyrinth 3. Uncanny Reunions as Metapsychoanalytical Trope in Andrey Zvagintsev's The Return 4. Imperial Legacy, Aborted Mourning and the Meaning of Horror in Kim Jee-Woon's A Tale of Two Sisters 5. The Religious Specter: Identifying the Intruder in Alejandro Amenábar's The Others Epilogue
Preface 1. New Psychoanalytical Tools for Historical Inquiry 2. Haunted Inheritance: Fantasy as Phantom in Guillermo del Toro's Pan's Labyrinth 3. Uncanny Reunions as Metapsychoanalytical Trope in Andrey Zvagintsev's The Return 4. Imperial Legacy, Aborted Mourning and the Meaning of Horror in Kim Jee-Woon's A Tale of Two Sisters 5. The Religious Specter: Identifying the Intruder in Alejandro Amenábar's The Others Epilogue
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