This book demonstrates the cultivation of instrumental genres by Neapolitan musicians and its significant stature at the royal court. Drawing on archival documents and musical sources, it paints a compelling history of local instrumental music culture and contributes to a wider ethnographic portrait of Naples in the late eighteenth-century.
This book demonstrates the cultivation of instrumental genres by Neapolitan musicians and its significant stature at the royal court. Drawing on archival documents and musical sources, it paints a compelling history of local instrumental music culture and contributes to a wider ethnographic portrait of Naples in the late eighteenth-century.
Anthony R. DelDonna, Ph.D. is Professor of Musicology and Director of the Music Program at Georgetown University, Washington DC. His research focuses on stage drama, instrumental music, archival studies, and ballet in early modern Italy and appears in The Journal of Musicology, Acta Musicologica, Quaderni d'Italianistica, Eighteenth-Century Studies, Early Music, Eighteenth-Century Music, Recercare, and Studi musicali. DelDonna is the author of the monograph Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples (2012) and co-editor of The Cambridge Companion to Eighteenth-Century Opera with Pierpaolo Polzonetti (2009).
Inhaltsangabe
List of illustrations List of music examples List of tables Acknowledgements 1. Naples on the grand tour and within the historical imagination 2. The Neapolitan conservatories: identity, formation, operation 3. Pedagogical training in the conservatories 4. Maria Carolina as cultural patron and icon 5. Music for the court of Naples 6. Genre, style, and transnational currents 7. Maestri e operisti: Paisiello 8. Maestri e operisti: Cimarosa and Guglielmi 9. Epilogue Notes Bibliography Index.
List of illustrations List of music examples List of tables Acknowledgements 1. Naples on the grand tour and within the historical imagination 2. The Neapolitan conservatories: identity, formation, operation 3. Pedagogical training in the conservatories 4. Maria Carolina as cultural patron and icon 5. Music for the court of Naples 6. Genre, style, and transnational currents 7. Maestri e operisti: Paisiello 8. Maestri e operisti: Cimarosa and Guglielmi 9. Epilogue Notes Bibliography Index.
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