Berlioz's Symphonie fantastique attracts wide audiences and is acknowledged as a landmark of music history. This book situates the symphony within French Romanticism and considers influences, literary as well as musical, that shaped its conception. Richly detailed and accessibly written, it will appeal to music lovers, scholars, and students.
Berlioz's Symphonie fantastique attracts wide audiences and is acknowledged as a landmark of music history. This book situates the symphony within French Romanticism and considers influences, literary as well as musical, that shaped its conception. Richly detailed and accessibly written, it will appeal to music lovers, scholars, and students.
Julian Rushton is Emeritus Professor, School of Music, University of Leeds. His publications include The Musical Language of Berlioz (1983), and as editor, The Cambridge Berlioz Encyclopedia (2018). He is past president of the Royal Musical Association and an honorary member of the American Musicological Society.
Inhaltsangabe
1. Introduction, programme, outline 2. Literary and musical romanticism 3. Symphonie fantastique in Berlioz's lifetime 4. First movement: 'Rêveries, passions' 5. Second movement: 'Un bal' 6. Third movement: 'Scène aux champs' 7. Fourth movement: 'Marche au supplice' 8. Fifth movement: 'Songe d'une nuit de Sabbat' 9. The sequel reception by composers 10. Reception: Schumann and musical form 11. Other approaches Conclusion Notes Bibliography Index.
1. Introduction, programme, outline 2. Literary and musical romanticism 3. Symphonie fantastique in Berlioz's lifetime 4. First movement: 'Rêveries, passions' 5. Second movement: 'Un bal' 6. Third movement: 'Scène aux champs' 7. Fourth movement: 'Marche au supplice' 8. Fifth movement: 'Songe d'une nuit de Sabbat' 9. The sequel reception by composers 10. Reception: Schumann and musical form 11. Other approaches Conclusion Notes Bibliography Index.
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