This book celebrates the translation of the Taiwanese blockbuster Seediq Bale (2011) which was filmed mainly in the endangered indigenous language Seediq.
This book celebrates the translation of the Taiwanese blockbuster Seediq Bale (2011) which was filmed mainly in the endangered indigenous language Seediq.
Darryl Sterk is an Assistant Professor of Translation Studies at Lingnan University in Hong Kong. He is also a literary translator, especially of fiction from Taiwan.
Inhaltsangabe
Introduction: Indigenous Modernity and the Translation of Seediq Bale 1. From Resistance to Compromise: Critical Women in the Mandarin Version 2. Refining the Ore: From Foreignization and Domestication to Fluency 3. The Game of Telephone: Cultural Translation as Adaptation 4. Pacifying the Pine: How to Demilitarize Headhunting Songs 5. The Dialectic of Dmahun: The Thicker Backtranslation of Cultural Keywords 6. From Hako Utux to Rainbow Bridge: Into the Translational Middle Ground 7. Translating Colonial Modernity: Adapting Terminologically Conclusion: The Thick Description of Indigenous Cultural Translation
Introduction: Indigenous Modernity and the Translation of Seediq Bale 1. From Resistance to Compromise: Critical Women in the Mandarin Version 2. Refining the Ore: From Foreignization and Domestication to Fluency 3. The Game of Telephone: Cultural Translation as Adaptation 4. Pacifying the Pine: How to Demilitarize Headhunting Songs 5. The Dialectic of Dmahun: The Thicker Backtranslation of Cultural Keywords 6. From Hako Utux to Rainbow Bridge: Into the Translational Middle Ground 7. Translating Colonial Modernity: Adapting Terminologically Conclusion: The Thick Description of Indigenous Cultural Translation
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