Latin American indigenous media production has recently experienced a noticeable boom, specifically in Bolivia, Ecuador, and Colombia. Indianizing Film zooms in on a selection of award-winning and widely influential fiction and docudrama shorts, analyzing them in the wider context of indigenous media practices and debates over decolonizing knowledge. Within this framework, Freya Schiwy approaches questions of gender, power, and representation.
Latin American indigenous media production has recently experienced a noticeable boom, specifically in Bolivia, Ecuador, and Colombia. Indianizing Film zooms in on a selection of award-winning and widely influential fiction and docudrama shorts, analyzing them in the wider context of indigenous media practices and debates over decolonizing knowledge. Within this framework, Freya Schiwy approaches questions of gender, power, and representation.
FREYA SCHIWY is an assistant professor in the media and cultural studies and Hispanic studies departments at the University of California, Riverside.
Inhaltsangabe
Acknowledgments — vii Introduction — The Question of Technology — 1 1 Indigenous Media and the Politics of Knowledge — 33 2 Casting New Protagonists — 63 3 Cinematic Time and Visual Economy — 85 4 Gender, Complementarity, and the Anticolonial Gaze — 109 5 Nature, Indians, and Epistemic Privilege — 139 6 Specters and Braided Stories — 163 7 Indigenous Media and the Market — 185 Afterword — 212 Notes — 223 Bibliography — 249 Filmography — 267 Index — 273
Acknowledgments — vii Introduction — The Question of Technology — 1 1 Indigenous Media and the Politics of Knowledge — 33 2 Casting New Protagonists — 63 3 Cinematic Time and Visual Economy — 85 4 Gender, Complementarity, and the Anticolonial Gaze — 109 5 Nature, Indians, and Epistemic Privilege — 139 6 Specters and Braided Stories — 163 7 Indigenous Media and the Market — 185 Afterword — 212 Notes — 223 Bibliography — 249 Filmography — 267 Index — 273
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