The first in-depth historical study of the origins of spectral music, which is widely regarded, alongside minimalism, as one of the two most influential compositional movements of the last fifty years. The book will appeal to anyone interested in how classical music developed in the late twentieth century.
The first in-depth historical study of the origins of spectral music, which is widely regarded, alongside minimalism, as one of the two most influential compositional movements of the last fifty years. The book will appeal to anyone interested in how classical music developed in the late twentieth century.
Liam Cagney is the co-editor of the Oxford Handbook of Spectral Music, and his musical criticism appears regularly in places like Gramophone, the Guardian, the Telegraph, the Spectator, the TLS, and the Irish Times. He is the recipient of an Arts Council of Ireland Emerging Writer Bursary and a City, University of London doctoral studentship. He teaches at BIMM University.
Inhaltsangabe
Introduction; PART I. Grisey's Style; 1. Grisey's early formation (1960 65); 2. Messiaen's class and new music in late 1960s Paris (1967 70); 3. Statistical serialism and Vagues, chemins, le souffle (1970 72); 4. On the threshold: D'eau et de pierre (1972); PART II. Spectral Music; 5. Psychoacoustics and the new compositional framework (1973 74); 6. L'Itinéraire and synthetic music (1973 76); 7. New Dimensions (1976 78); 8. Spectral music and écriture liminale (1979 82); Conclusion.
Introduction; PART I. Grisey's Style; 1. Grisey's early formation (1960 65); 2. Messiaen's class and new music in late 1960s Paris (1967 70); 3. Statistical serialism and Vagues, chemins, le souffle (1970 72); 4. On the threshold: D'eau et de pierre (1972); PART II. Spectral Music; 5. Psychoacoustics and the new compositional framework (1973 74); 6. L'Itinéraire and synthetic music (1973 76); 7. New Dimensions (1976 78); 8. Spectral music and écriture liminale (1979 82); Conclusion.
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