Avoiding the reductive tendency of some recent scholarship to focus on the purported shortcomings of the 'Twilight' series with respect to literary merit and political correctness, this volume adopts a cultural studies framework to explore the range of scholarly concerns awakened by the 'Twilight' novels and their filmic adaptations. In so doing, the contributors show the series's importance for studies of popular culture, gender, reception history and young adult literature.
Avoiding the reductive tendency of some recent scholarship to focus on the purported shortcomings of the 'Twilight' series with respect to literary merit and political correctness, this volume adopts a cultural studies framework to explore the range of scholarly concerns awakened by the 'Twilight' novels and their filmic adaptations. In so doing, the contributors show the series's importance for studies of popular culture, gender, reception history and young adult literature.
Anne Morey is associate professor of English at Texas A&M University. She is presently at work on a history of religious filmmaking in the United States.
Inhaltsangabe
Introduction Anne Morey; Chapter 1 "Famine for Food Expectation for Content": Jane Eyre as Intertext for the "Twilight" Saga Anne Morey; Chapter 2 Fantasy Subjectivity and Desire in Twilight and Its Sequels Jackie C. Horne; Chapter 3 Postfeminist Fantasies: Sexuality and Femininity in Stephenie Meyer's "Twilight" Series Kristine Moruzi; Chapter 4 Narrative Intimacy and the Question of Control in the "Twilight" Saga Sara K. Day; Chapter 5 Bridges Nodes and Bare Life: Race in the "Twilight" Saga Alexandra Hidalgo; Chapter 6 Girl Culture and the "Twilight" Franchise Catherine Driscoll; Chapter 7 "Twilight" Fans Represented in Commercial Paratexts and Inter-Fandoms: Resisting and Repurposing Negative Fan Stereotypes Matt Hills; Chapter 8 Coming to a Violent End: Narrative Closure and the Death Drive in Stephenie Meyer's "Twilight" Series Rachel DuBois; Chapter 9 The Giddyshame Paradox: Why "Twilight"'s Anti-Fans Cannot Stop Reading a Series They (Love to) Hate Sarah Wagenseller Goletz; Chapter 10 Between Twi-Hards and Twi-Haters: The Complicated Terrain of Online "Twilight" Audience Communities Anne Gilbert; Chapter 11 "I'd Never Given Much Thought to How I Would Die": Uses (and the Decline) of Voiceover in the "Twilight" Films Katie Kapurch; Chapter 12 Traveling in the Same Boat: Adapting Stephenie Meyer's Twilight New Moon and Eclipse to Film Mark D. Cunningham; Chapter 13 Adaptation and Reception: The Case of the "Twilight" Saga in Korea Hye Chung Han Chan Hee Hwang;
Introduction Anne Morey; Chapter 1 "Famine for Food Expectation for Content": Jane Eyre as Intertext for the "Twilight" Saga Anne Morey; Chapter 2 Fantasy Subjectivity and Desire in Twilight and Its Sequels Jackie C. Horne; Chapter 3 Postfeminist Fantasies: Sexuality and Femininity in Stephenie Meyer's "Twilight" Series Kristine Moruzi; Chapter 4 Narrative Intimacy and the Question of Control in the "Twilight" Saga Sara K. Day; Chapter 5 Bridges Nodes and Bare Life: Race in the "Twilight" Saga Alexandra Hidalgo; Chapter 6 Girl Culture and the "Twilight" Franchise Catherine Driscoll; Chapter 7 "Twilight" Fans Represented in Commercial Paratexts and Inter-Fandoms: Resisting and Repurposing Negative Fan Stereotypes Matt Hills; Chapter 8 Coming to a Violent End: Narrative Closure and the Death Drive in Stephenie Meyer's "Twilight" Series Rachel DuBois; Chapter 9 The Giddyshame Paradox: Why "Twilight"'s Anti-Fans Cannot Stop Reading a Series They (Love to) Hate Sarah Wagenseller Goletz; Chapter 10 Between Twi-Hards and Twi-Haters: The Complicated Terrain of Online "Twilight" Audience Communities Anne Gilbert; Chapter 11 "I'd Never Given Much Thought to How I Would Die": Uses (and the Decline) of Voiceover in the "Twilight" Films Katie Kapurch; Chapter 12 Traveling in the Same Boat: Adapting Stephenie Meyer's Twilight New Moon and Eclipse to Film Mark D. Cunningham; Chapter 13 Adaptation and Reception: The Case of the "Twilight" Saga in Korea Hye Chung Han Chan Hee Hwang;
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