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Shakespeare's plays continue to be circulated on a massive scale in a variety of guises - as editions, performances, and adaptations - and it is by means of such mediation that we come to know his drama. This title addresses fundamental questions about this process of mediation, making use of the fraught category of adaptation.
Shakespeare and the Problem of Adaptation addresses fundamental questions about the process of mediation, making use of the fraught category of adaptation to explore how we currently understand the Shakespearean work. Margaret Jane Kidnie argues that 'play' and
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Produktbeschreibung
Shakespeare's plays continue to be circulated on a massive scale in a variety of guises - as editions, performances, and adaptations - and it is by means of such mediation that we come to know his drama. This title addresses fundamental questions about this process of mediation, making use of the fraught category of adaptation.
Shakespeare and the Problem of Adaptation addresses fundamental questions about the process of mediation, making use of the fraught category of adaptation to explore how we currently understand the Shakespearean work. Margaret Jane Kidnie argues that 'play' and 'adaptation' are provisional categories - mutually dependent processes that evolve over time in accordance with the needs of users.
Autorenporträt
Margaret Jane Kidnie is Associate Professor of English at the University of Western Ontario, Canada. She has edited early modern drama and prose, and has published widely on performance, adaptation, textual studies, and editorial practice. She is currently editing A Woman Killed with Kindness for the Arden Early Modern Drama series.