This volume focuses on the history of Chinese film since the Reform and the Opening-up. The Chinese film industry has grown exponentially since 1976 and developed a new zeitgeist. The author argues that the Chinese film industry clearly stands at a turning point where the future of Chinese film has become an important issue.
This volume focuses on the history of Chinese film since the Reform and the Opening-up. The Chinese film industry has grown exponentially since 1976 and developed a new zeitgeist. The author argues that the Chinese film industry clearly stands at a turning point where the future of Chinese film has become an important issue.
Ding Yaping is the Director of the Film and Television Research Institute of the Chinese National Academy of Arts. He specializes in the history of Chinese film and has published more than 20 monographs. Jin Haina is professor of translation, film and communication studies at the Communication University of China. Her research interests include film translation, translation history, and film history.
Inhaltsangabe
Introduction. 1. Collision of Films in a New Era (1977 1979). 2. Politics and Cultural Rhetoric (1980 1989). 3. Film, Market, and Society (1990 1993). 4. The Appearance of Blockbusters (1994 1999). 5. Globalization and Imagination in Films (2000 2006). 6 The Operation and Influence of Marketization (2007 2009). 7. Image Production and the Film at the Age of Digitalization (2010 2012). 8. From the Era of Globalization to the Internet Age (2013 ).
Introduction. 1. Collision of Films in a New Era (1977 1979). 2. Politics and Cultural Rhetoric (1980 1989). 3. Film, Market, and Society (1990 1993). 4. The Appearance of Blockbusters (1994 1999). 5. Globalization and Imagination in Films (2000 2006). 6 The Operation and Influence of Marketization (2007 2009). 7. Image Production and the Film at the Age of Digitalization (2010 2012). 8. From the Era of Globalization to the Internet Age (2013 ).
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