This volume explores the development of Chinese film from 1949 to 1976. The author exhibits the complex relations of film with society, politics, culture, and art in the Maoist period, and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded People's Republic of China.
This volume explores the development of Chinese film from 1949 to 1976. The author exhibits the complex relations of film with society, politics, culture, and art in the Maoist period, and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded People's Republic of China.
Ding Yaping is the Director of the Film and Television Research Institute of the Chinese National Academy of Arts. He specializes in the history of Chinese film and has published more than 20 monographs. Jin Haina is professor of translation, film, and communication studies at the Communication University of China. Her research interests include film translation, translation history, and film history.
Inhaltsangabe
Introduction. 1. Films Shouldering a Newborn State Power (1949 1951). 2. Imagination and a Turning Point (1952 1956). 3. In Collective Sentiments: The True Mirror (1957 1965). 4. Death of Film: A Portrait of Delirium in the Cultural Revolution Period (1966 1971). 5. The Scene of Revolution in a Special Period (1972 1974). 6. Under the Redness (1975 1976).
Introduction. 1. Films Shouldering a Newborn State Power (1949 1951). 2. Imagination and a Turning Point (1952 1956). 3. In Collective Sentiments: The True Mirror (1957 1965). 4. Death of Film: A Portrait of Delirium in the Cultural Revolution Period (1966 1971). 5. The Scene of Revolution in a Special Period (1972 1974). 6. Under the Redness (1975 1976).
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309