An important contribution to recent critical discussions about gender, sexuality, and material culture in Renaissance England, this study analyzes female- and male-authored lyrics to illuminate how gender and sexuality inflected sixteenth- and seventeenth-century poets' conceptualization of relations among people and things, human and non-human subjects and objects. Pamela Hammons examines lyrics from both manuscript and print collections and situates them in relation to legal theories, autobiographies, biographies, plays, and epics.
An important contribution to recent critical discussions about gender, sexuality, and material culture in Renaissance England, this study analyzes female- and male-authored lyrics to illuminate how gender and sexuality inflected sixteenth- and seventeenth-century poets' conceptualization of relations among people and things, human and non-human subjects and objects. Pamela Hammons examines lyrics from both manuscript and print collections and situates them in relation to legal theories, autobiographies, biographies, plays, and epics.
Pamela S. Hammons is an associate professor of English at the University of Miami, USA.
Inhaltsangabe
Contents: Introduction: his and hers Part I Love Tokens: Robert Herrick's gift trouble Women's poetic portraits of love tokens in heteroerotic courtship Women's poetic portraits of love tokens in same-sex and divine relationships. Part II Houses and Land: The gendered imagination of real property in Renaissance England Margaret Cavendish's disguised possession Lucy Hutchinson's polluted palaces and ekphrastic empire Conclusion Bibliography Index.
Contents: Introduction: his and hers Part I Love Tokens: Robert Herrick's gift trouble Women's poetic portraits of love tokens in heteroerotic courtship Women's poetic portraits of love tokens in same-sex and divine relationships. Part II Houses and Land: The gendered imagination of real property in Renaissance England Margaret Cavendish's disguised possession Lucy Hutchinson's polluted palaces and ekphrastic empire Conclusion Bibliography Index.
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